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Today's Stichomancy for Niko Silvester

The first excerpt represents the past or something you must release, and is drawn from The Adventures of Huckleberry Finn by Mark Twain:

more it done for us.

The place to buy canoes is off of rafts laying up at shore. But we didn't see no rafts laying up; so we went along during three hours and more. Well, the night got gray and ruther thick, which is the next meanest thing to fog. You can't tell the shape of the river, and you can't see no distance. It got to be very late and still, and then along comes a steamboat up the river. We lit the lantern, and judged she would see it. Up-stream boats didn't generly come close to us; they go out and follow the bars and hunt for easy


The Adventures of Huckleberry Finn
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Profits of Religion by Upton Sinclair:

And this one holy institution was found setting at its peak the black flag of the trader, the "Jolly Roger" of the modern commercial pirate--"Caveat emptor!" To quote the precise words:

The editors and publishers of the "Living Church" assume no responsibility for the assertions of advertisers.

And so it threw open its columns to the claims of America's champion labor-baiter, the late C. W. Post, that his "Grapenuts" would prevent appendicitis, and obviate the need of operations in such cases!

And here is the "Christian Endeavor World", organ of one of the most powerful non-sectarian religious bodies in the country. Some

The third excerpt represents the future or something you must embrace, and is drawn from Charmides by Plato:

another step in an argument or a narrative or a statement; in reading a paragraph we silently turn over the page and arrive at some new view or aspect of the subject. Whereas in Plato we are not always certain where a sentence begins and ends; and paragraphs are few and far between. The language is distributed in a different way, and less articulated than in English. For it was long before the true use of the period was attained by the classical writers both in poetry or prose; it was (Greek). The balance of sentences and the introduction of paragraphs at suitable intervals must not be neglected if the harmony of the English language is to be preserved. And still a caution has to be added on the other side, that we must avoid giving it a numerical or mechanical character.