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Today's Stichomancy for Adam Sandler

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wheels of Chance by H. G. Wells:

beyond the bar, walked with a resolute air to the foot of the staircase, and passed out of sight. You conceive the backward pitch of that exceptionally shaped cranium? Incredulous eyes stared into one another's in the bar, as his paces, muffled by the stair carpet, went up to the landing, turned, reached the passage and walked into the dining-room overhead.

"It wasn't that one at all, miss," said the ostler,"I'd SWEAR"

"Well, that's Mr. Beaumont," said the barmaid, "--anyhow."

Their conversation hung comatose in the air, switched up by Bechamel. They listened together. His feet stopped. Turned. Went out of the diningroom. Down the passage to the bedroom. Stopped

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Aspern Papers by Henry James:

of the disposition to put up with my company for the sake of my dollars. I said to myself that after all I could not abandon Miss Tita, and I continued to say this even while I observed that she quite failed to comply with my earnest request (I had given her two or three addresses, at little towns, post restante) that she would let me know how she was getting on. I would have made my servant write to me but that he was unable to manage a pen. It struck me there was a kind of scorn in Miss Tita's silence (little disdainful as she had ever been), so that I was uncomfortable and sore. I had scruples about going back and yet I had others about not doing so, for I wanted to put myself on a better footing. The end of it was that I did return to Venice on the twelfth day;

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Journey to the Center of the Earth by Jules Verne:

learned air; and addressing himself to an imaginary audience, he proceeded thus:

"Gentlemen, I have the honour to introduce to you a man of the quaternary or post-tertiary system. Eminent geologists have denied his existence, others no less eminent have affirmed it. The St. Thomases of palæontology, if they were here, might now touch him with their fingers, and would be obliged to acknowledge their error. I am quite aware that science has to be on its guard with discoveries of this kind. I know what capital enterprising individuals like Barnum have made out of fossil men. I have heard the tale of the kneepan of Ajax, the pretended body of Orestes claimed to have been found by the


Journey to the Center of the Earth
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

try. A city slave is almost a freeman, compared with a slave on the plantation. He is much better fed and clothed, and enjoys privileges altogether unknown to the slave on the plantation. There is a vestige of decency, a sense of shame, that does much to curb and check those outbreaks of atrocious cruelty so commonly enacted upon the plantation. He is a des- perate slaveholder, who will shock the humanity of his non-slaveholding neighbors with the cries of his lacerated slave. Few are willing to incur the odium attaching to the reputation of being a cruel master;


The Narrative of the Life of Frederick Douglass: An American Slave