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Today's Stichomancy for Adolf Hitler

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

The horse went over with a frantic whinny. In a minute he was by Eleanor's side and saw that her eyes were open. "Eleanor!" he cried. She did not answer, but her lips moved and her eyes filled with sudden tears. "Eleanor, are you hurt?" "No; I don't think so," she said faintly, and then began weeping. "My horse dead?" "Good God Yes!" "Oh!" she wailed. "I thought I was going over. I didn't know"


This Side of Paradise
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Puck of Pook's Hill by Rudyard Kipling:

That smote King Philip's fleet!

See you our little mill that clacks, So busy by the brook? She has ground her corn and paid her tax Ever since Domesday Book.

See you our stilly woods of oak, And the dread ditch beside? O that was where the Saxons broke, On the day that Harold died!

See you the windy levels spread About the gates of Rye?

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sylvie and Bruno by Lewis Carroll:

through at all," he said. "We must go now." And we followed him obediently to the Ivory Door, which he threw open, and signed to me to go through first.

"You're coming too, aren't you?" I said to Sylvie.

"Yes," she said: "but you won't see us after you've gone through."

"But suppose I wait for you outside?" I asked, as I stepped through the doorway.

"In that case," said Sylvie, "I think the potato would be quite justified in asking your weight. I can quite imagine a really superior kidney-potato declining to argue with any one under fifteen stone!"

With a great effort I recovered the thread of my thoughts.


Sylvie and Bruno
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Young Forester by Zane Grey:

looked so big and brown that I took up my Winchester. Then it disappeared once more.

I descended into a hollow, and tying Hal, I stole forward on foot, hoping by that means to get close to the strange object without being seen myself.

I waited behind a pine, and suddenly three horsemen rode across a glade not two hundred yards away. The foremost rider was no other than the Mexican whom I had reason to remember.

The huge trunk amply concealed me, but, nevertheless, I crouched down. How strange that I should run into that Mexican again! Where was he going? Had he followed me? Was there a trail?

As long as the three men were in sight I watched them. When the last brown


The Young Forester