| The first excerpt represents the past or something you must release, and is drawn from To-morrow by Joseph Conrad: thing that brought him down was a letter--a hoax
probably. Some joker had written to him about a
seafaring man with some such name who was sup-
posed to be hanging about some girl or other, either
in Colebrook or in the neighbourhood. "Funny,
ain't it?" The old chap had been advertising in
the London papers for Harry Hagberd, and offer-
ing rewards for any sort of likely information.
And the barber would go on to describe with sar-
donic gusto, how that stranger in mourning had
been seen exploring the country, in carts, on foot,
 To-morrow |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Damnation of Theron Ware by Harold Frederic: The priest glanced sharply at him, noting with a swift,
informed scrutiny how he sprawled against the wall,
and what vacuity his eyes and loosened lips expressed.
"Then you have a talent for the inopportune amounting
to positive genius," said Father Forbes, with a stormy smile.
"Tell me this, Father Forbes," the other demanded,
with impulsive suddenness, "is it true that you don't
want me in your house again? Is that the truth or not?"
"The truth is always relative, Mr. Ware," replied the priest,
turning away, and closing the door of the parlor behind
him with a decisive sound.
 The Damnation of Theron Ware |
The third excerpt represents the future or something you must embrace, and is drawn from Beyond Good and Evil by Friedrich Nietzsche: the last great slave-insurrection which began with the French
Revolution.
47. Wherever the religious neurosis has appeared on the earth so
far, we find it connected with three dangerous prescriptions as
to regimen: solitude, fasting, and sexual abstinence--but without
its being possible to determine with certainty which is cause and
which is effect, or IF any relation at all of cause and effect
exists there. This latter doubt is justified by the fact that one
of the most regular symptoms among savage as well as among
civilized peoples is the most sudden and excessive sensuality,
which then with equal suddenness transforms into penitential
 Beyond Good and Evil |