| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters: stool before the easy-chair, I sunk my head upon its cushioned
seat, and thought, and thought, until the tears gushed out again,
and I wept like any child. Presently, however, the door was gently
opened and someone entered the room. I trusted it was only a
servant, and did not stir. The door was closed again - but I was
not alone; a hand gently touched my shoulder, and a voice said,
softly, - 'Helen, what is the matter?'
I could not answer at the moment.
'You must, and shall tell me,' was added, more vehemently, and the
speaker threw himself on his knees beside me on the rug, and
forcibly possessed himself of my hand; but I hastily caught it
The Tenant of Wildfell Hall |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Z. Marcas by Honore de Balzac: lips a voice of thunder must surely proceed; it was a mouth like
Mirabeau's.
"I have seen such a grand fellow in the street," said I to Juste on
coming in.
"It must be our neighbor," replied Juste, who described, in fact, the
man I had just met. "A man who lives like a wood-louse would be sure
to look like that," he added.
"What dejection and what dignity!"
"One is the consequence of the other."
"What ruined hopes! What schemes and failures!"
"Seven leagues of ruins! Obelisks--palaces--towers!--The ruins of
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Memories and Portraits by Robert Louis Stevenson: Free-Churchism; but at least, he never talked about these views,
never grew controversially noisy, and never openly aspersed the
belief or practice of anybody. Now all this is not generally
characteristic of Scotch piety; Scotch sects being churches
militant with a vengeance, and Scotch believers perpetual crusaders
the one against the other, and missionaries the one to the other.
Perhaps Robert's originally tender heart was what made the
difference; or, perhaps, his solitary and pleasant labour among
fruits and flowers had taught him a more sunshiny creed than those
whose work is among the tares of fallen humanity; and the soft
influences of the garden had entered deep into his spirit,
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Divine Comedy (translated by Henry Wadsworth Longfellow) by Dante Alighieri: Staying to look in wonder with the others,
Before the others did his gullet open,
Which outwardly was red in every part,
And said: "O thou, whom guilt doth not condemn,
And whom I once saw up in Latian land,
Unless too great similitude deceive me,
Call to remembrance Pier da Medicina,
If e'er thou see again the lovely plain
That from Vercelli slopes to Marcabo,
And make it known to the best two of Fano,
To Messer Guido and Angiolello likewise,
The Divine Comedy (translated by Henry Wadsworth Longfellow) |
