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Today's Stichomancy for Adriana Lima

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Essays of Travel by Robert Louis Stevenson:

looked for it, and he throws it from him with the thought.

A long straight reach of valley, wall-like mountains upon either hand that rise higher and higher and shoot up new summits the higher you climb; a few noble peaks seen even from the valley; a village of hotels; a world of black and white - black pine-woods, clinging to the sides of the valley, and white snow flouring it, and papering it between the pine-woods, and covering all the mountains with a dazzling curd; add a few score invalids marching to and fro upon the snowy road, or skating on the ice-rinks, possibly to music, or sitting under sunshades by the door of the hotel - and you have the larger features of a mountain sanatorium. A certain furious river

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

with both their shoulders raised high up; but this movement is not associated with the others which generally accompany a true shrug. An excellent observer[16] in describing a young man who was determined not to yield to his father's desire, says, "He thrust his hands deep down into his pockets, and set up his shoulders to his ears, which was a good warning that, come right or wrong, this rock should fly from its firm base as soon as Jack would; and that any remonstrance on the subject was purely futile." As soon as the son got his own way, he "put his shoulders into their natural position."

[14] `Anatomy of Expression,' p. 166.


Expression of Emotion in Man and Animals
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Secret Adversary by Agatha Christie:

always played a secondary part. Somebody else assumes the chief role. But afterwards we always find that there has been some nonentity, a servant or a clerk, who has remained in the background unnoticed, and that the elusive Mr. Brown has escaped us once more."

"Oh!" Tuppence jumped. "I wonder----"

"Yes?"

"I remember in Mr. Whittington's office. The clerk--he called him Brown. You don't think----"

Carter nodded thoughtfully.

"Very likely. A curious point is that the name is usually


Secret Adversary
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lin McLean by Owen Wister:

representing five of the oldest families in South Carolina. The Jodes themselves were not old in South Carolina, but immensely so in--I think he told me it was Long Island. His name is Poinsett Middleton Manigault Jode. He used to weigh a hundred and twenty-eight pounds then, but his health has strengthened in that climate. His clothes were black; his face was white, with black eyes sharp as a pin; he had the shape of a spout-- the same narrow size all the way down--and his voice was as dry and light as an egg-shell. In his first days at Cheyenne he had constantly challenged large cowboys for taking familiarities with his dignity, and they, after one moment's bewilderment, had concocted apologies that entirely met his exactions, and gave them much satisfaction also. Nobody