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Today's Stichomancy for Akira Kurosawa

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tom Grogan by F. Hopkinson Smith:

carts with all the harness. Back of it--perhaps if ye stand on yer toes even a little feller like you can see the top of another shed. That one has me derricks an' tools."

Crimmins tried to interrupt long enough to free McGaw's red pepper, but her words poured out in a torrent.

"Now ye can go back an' tell Dan McGaw an' the balance of yer two-dollar loafers that there ain't a dollar owin' on any horse in my stable, an' that I've earned everything I've got without a man round to help 'cept those I pays wages to. An' ye can tell 'em, too, that I'll hire who I please, an' pay 'em what they oughter git; an' I'll do me own haulin' an' unloadin' fer nothin' if it

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Thus Spake Zarathustra by Friedrich Nietzsche:

men--and I hold to my belief that it was a reversed cripple, who had too little of everything, and too much of one thing.

When Zarathustra had spoken thus unto the hunchback, and unto those of whom the hunchback was the mouthpiece and advocate, then did he turn to his disciples in profound dejection, and said:

Verily, my friends, I walk amongst men as amongst the fragments and limbs of human beings!

This is the terrible thing to mine eye, that I find man broken up, and scattered about, as on a battle- and butcher-ground.

And when mine eye fleeth from the present to the bygone, it findeth ever the same: fragments and limbs and fearful chances--but no men!


Thus Spake Zarathustra
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Exiles by Honore de Balzac:

lurked in the wrinkles of his face, his look presently assumed the fixity which seems to gaze on an object invisible to the ordinary organs of sight. His eyes, no doubt, were seeing then the remoter images which the grave has in store for us.

Never, perhaps, had this man presented so grand an aspect. A terrible struggle was going on in his soul, and reacted on his outer frame; strong man as he seemed to be, he bent as a reed bows under the breeze that comes before a storm. Godefroid stood motionless, speechless, spellbound; some inexplicable force nailed him to the floor; and, as happens when our attention takes us out of ourselves while watching a fire or a battle, he was wholly unconscious of his body.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

People generally say what they have been taught to say; that was the catchword they were given in youth to express the aims of their way of life; and men who are gaining great battles are not likely to take much trouble in reviewing their sentiments and the words in which they were told to express them. Almost every person, if you will believe himself, holds a quite different theory of life from the one on which he is patently acting. And the fact is, fame may be a forethought and an afterthought, but it is too abstract an idea to move people greatly in moments of swift and momentous decision. It is from something more immediate, some determination of blood