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Today's Stichomancy for Al Capone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

the Great Man through the diagonal; and thereby, partly in consequence of his long imprisonment and degradation, and partly because of the moral shock which pervaded the whole of my Ancestor's relations, threw back our family a degree and a half in their ascent towards better things. The result was that in the next generation the family brain was registered at only 58 degrees, and not till the lapse of five generations was the lost ground recovered, the full 60 degrees attained, and the Ascent from the Isosceles finally achieved. And all this series of calamities from one little accident in the process of Feeling.

At this point I think I hear some of my better educated


Flatland: A Romance of Many Dimensions
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sylvie and Bruno by Lewis Carroll:

Bruno needed no second invitation: he at once began arranging the dead mouse as a kind of sofa. "And I'll sing oo a little song," he said, as he rolled it about.

"Do," said I: "I like songs very much."

"Which song will oo choose?" Bruno said, as he dragged the mouse into a place where he could get a good view of me. "'Ting, ting, ting' is the nicest."

There was no resisting such a strong hint as this: however, I pretended to think about it for a moment, and then said "Well, I like 'Ting, ting, ting,' best of all."

[Image...Bruno's revenge]


Sylvie and Bruno
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Gift of the Magi by O. Henry:

and receive gifts, such as they are wisest. Everywhere they

are wisest. They are the magi.

End of this Project Gutenberg Etext of THE GIFT OF THE MAGI.


The Gift of the Magi
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Michael Strogoff by Jules Verne:

stops and bounds which he made to escape from the stings of his persecutors. Having become insensible, so to speak, to physical suffering, possessed only with the one desire to arrive at his destination at whatever cost, he saw during this mad race only one thing -- that the road flew rapidly be- hind him.

Who would have thought that this district of the Baraba, so unhealthy during the summer, could have afforded an asylum for human beings? Yet it did so. Several Siber- ian hamlets appeared from time to time among the giant canes. Men, women, children, and old men, clad in the