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Today's Stichomancy for Al Pacino

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Beast in the Jungle by Henry James:

place--out of which their friends had passed, and the charm of it was that even before they had spoken they had practically arranged with each other to stay behind for talk. The charm, happily, was in other things too--partly in there being scarce a spot at Weatherend without something to stay behind for. It was in the way the autumn day looked into the high windows as it waned; the way the red light, breaking at the close from under a low sombre sky, reached out in a long shaft and played over old wainscots, old tapestry, old gold, old colour. It was most of all perhaps in the way she came to him as if, since she had been turned on to deal with the simpler sort, he might, should he choose to keep the whole

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Sportsman by Xenophon:

Schneider's question: Quidni sensum eundem servavit homo religiosus in hinnulis?

[5] "The fawns (of the roe deer) are born in the spring, usually early in May," Lydekker, "R. N. H." ii. p. 383; of the red deer "generally in the early part of June," ib. 346.

[6] {orgadas} = "gagnages," du Fouilloux, "Comment le veneur doit aller en queste aux taillis ou gaignages pour voir le cerf a veue," ap. Talbot, op. cit. i. p. 331.

[7] Or, "off the wood."

[8] It seems they were not trained to restrain themselves.

[9] Or, "set himself to observe from some higher place." Cf. Aristoph.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

them of doing things backwards, but it is we who deserve such blame because they antedated us in the doing of them. We shake each other's hands, they each shake their own hands. We take off our hats as a mark of respect, they keep theirs on. We wear black for mourning, they wear white. We wear our vests inside, they wear theirs outside. A hundred other things more or less familiar to us all, illustrate this rule. In some of their nursery rhymes everything is said and done on the "cart before the horse" plan. This is illustrated by a rhyme in which when the speaker heard a disturbance outside his door he discovered it was

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Phaedo by Plato:

against eating? And this is only one instance out of ten thousand of the opposition of the soul to the things of the body.

Very true.

But we have already acknowledged that the soul, being a harmony, can never utter a note at variance with the tensions and relaxations and vibrations and other affections of the strings out of which she is composed; she can only follow, she cannot lead them?

It must be so, he replied.

And yet do we not now discover the soul to be doing the exact opposite-- leading the elements of which she is believed to be composed; almost always opposing and coercing them in all sorts of ways throughout life, sometimes