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Today's Stichomancy for Alan Greenspan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Salome by Oscar Wilde:

pigeons, et des topazes vertes comme les yeux des chats. J'ai des opales qui brulent toujours avec une flamme qui est tres froide, des opales qui attristent les esprits et ont peur des tenebres. J'ai des onyx semblables aux prunelles d'une morte. J'ai des selenites qui changent quand la lune change et deviennent pales quand elles voient le soleil. J'ai des saphirs grands comme des oeufs et bleus comme des fleurs bleues. La mer erre dedans, et la lune ne vient jamais troubler le bleu de ses flots. J'ai des chrysolithes et des beryls, j'ai des chrysoprases et des rubis, j'ai des sardonyx et des hyacinthes, et des calcedoines et je vous les donnerai tous, mais tous, et j'ajouterai d'autres choses. Le roi des Indes vient

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Z. Marcas by Honore de Balzac:

provide for Youth and Intellect.

"Youth will explode like the boiler of a steam-engine. Youth has no outlet in France; it is gathering an avalanche of underrated capabilities, of legitimate and restless ambitions; young men are not marrying now; families cannot tell what to do with their children. What will the thunderclap be that will shake down these masses? I know not, but they will crash down into the midst of things, and overthrow everything. These are laws of hydrostatics which act on the human race; the Roman Empire had failed to understand them, and the Barbaric hordes came down.

"The Barbaric hordes now are the intelligent class. The laws of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Before Adam by Jack London:

open space in front of the caves sloped down to the river, and in the open space burned many small fires. But whether or not the Fire People cooked their food, I do not know. Lop-Ear and I did not see them cook. Yet it is my opinion that they surely must have performed some sort of rude cookery. Like us, they carried water in gourds from the river. There was much coming and going, and loud cries made by the women and children. The latter played about and cut up antics quite in the same way as did the children of the Folk, and they more nearly resembled the children of the Folk than did the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tapestried Chamber by Walter Scott:

The following narrative is given from the pen, so far as memory permits, in the same character in which it was presented to the author's ear; nor has he claim to further praise, or to be more deeply censured, than in proportion to the good or bad judgment which he has employed in selecting his materials, as he has studiously avoided any attempt at ornament which might interfere with the simplicity of the tale.

At the same time, it must be admitted that the particular class of stories which turns on the marvellous possesses a stronger influence when told than when committed to print. The volume taken up at noonday, though rehearsing the same incidents,