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Today's Stichomancy for Alanis Morissette

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Eryxias by Platonic Imitator:

should refrain from meat and drink and other pleasant things, but he cannot owing to his intemperance, will it not also be better that he should be too poor to gratify his lust rather than that he should have a superabundance of means? For thus he will not be able to sin, although he desire never so much.

Critias appeared to be arguing so admirably that Eryxias, if he had not been ashamed of the bystanders, would probably have got up and struck him. For he thought that he had been robbed of a great possession when it became obvious to him that he had been wrong in his former opinion about wealth. I observed his vexation, and feared that they would proceed to abuse and quarrelling: so I said,--I heard that very argument used in the Lyceum

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A treatise on Good Works by Dr. Martin Luther:

years the so-called three great Reformation writings of 1520 were casting all else into the shadow. Melanchthon, in a contemporaneous letter to John Hess, called it Luther's best book. John Mathesius, the well-known pastor at Joachimsthal and Luther's biographer, acknowledged that he had learned the "rudiments of Christianity" from it.

Even to-day this book has its peculiar mission to the Church. The seeking after self-elected works, the indolence regarding the works commanded of God, the foolish opinion, that the path of works leads to God's grace and good-will, are even to-day widely prevalent within the kingdom of God. To all this Luther's

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ancient Regime by Charles Kingsley:

owed more to the eighteenth century than to any century since the Christian era. It may seem a bold assertion to those who value duly the century which followed the revival of Greek literature, and consider that the eighteenth century was but the child, or rather grandchild, thereof. But I must persist in my opinion, even though it seem to be inconsistent with my description of the very same era as one of decay and death. For side by side with the death, there was manifold fresh birth; side by side with the decay there was active growth;--side by side with them, fostered by them, though generally in strong opposition to them, whether conscious or unconscious. We must beware, however, of trying to find between

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan the Untamed by Edgar Rice Burroughs:

of the Tarmangani, broke into a full charge toward the guard.

Shaken by the report of the unfamiliar weapon, the ranks of the guardsmen broke before the furious assault of the great beast. The officer screamed forth a volley of commands in a mad fury of uncontrolled rage but the guardsmen, obeying the first law of nature as well as actuated by their inherent fear of the black denizen of the forest scattered to right and left to elude the monster. With ferocious growls Numa wheeled to the right, and with raking talons struck right and left among a little handful of terrified guardsmen who were endeavoring to elude him, and then Tarzan and Smith-Oldwick closed with


Tarzan the Untamed