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Today's Stichomancy for Alanis Morissette

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lost Princess of Oz by L. Frank Baum:

they knew it would soon be dark. So it was decided to camp under the trees, as another broad plain was before them. The Wizard spread the blankets on a bed of soft leaves, and presently all of them except Scraps and the Sawhorse were fast asleep. Toto snuggled close to his friend the Lion, and the Woozy snored so loudly that the Patchwork Girl covered his square head with her apron to deaden the sound.

CHAPTER 12

CZAROVER OF HERKU

Trot wakened just as the sun rose, and slipping out of the blankets, went to the edge of the Great Orchard and looked across the plain. Something glittered in the far distance. "That looks like another


The Lost Princess of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Eighteenth Brumaire of Louis Bonaparte by Karl Marx:

"Responsibility law" ready made, and framed at that, by the suspicious, the vicious republican Assembly!

After, on January 29, 1849, the constitutive assembly had itself broken its last weapon, the Barrot ministry and the "Friends of Order" harassed it to death, left nothing undone to humiliate it, and wrung from its weakness, despairing of itself, laws that cost it the last vestige of respect with the public. Bonaparte, occupied with his own fixed Napoleonic idea, was audacious enough openly to exploit this degradation of the parliamentary power: When the National Assembly, on May 8, 1849, passed a vote of censure upon the Ministry on account of the occupation of Civita-Vecchia by Oudinot, and ordered that the Roman expedition be

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Light of Western Stars by Zane Grey:

Madeline lingered behind to speak with Stillwell and Stewart.

"Now, Stillwell, out with it," she said, briefly.

The cattleman stared, and then he laughed, evidently pleased with her keenness.

"Wal, Miss Majesty, there's goin' to be a fight somewhere, an' Stewart wanted to get you-all in before it come off. He says the valley's overrun by vaqueros an' guerrillas an' robbers, an' Lord knows what else."

He stamped off the porch, his huge spurs rattling, and started down the path toward the waiting men.

Stewart stood in his familiar attentive position, erect, silent,


The Light of Western Stars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Somebody's Little Girl by Martha Young:

something sweet--something away off beyond what the band was playing, so she just clapped her hands and laughed out loud, and said over and over as if it were a little song:

``Bessie Bell! Bessie, Bessie, Bessie Bell!''

But the lady at her side looked down at the child as if she were afraid. Bessie Bell knew how sorrowful it was to be afraid, so she stopped patting her hands and laughing,--for she didn't know why she had begun to do it--and she laid her hand again on the lady's hand, just because she knew how sorrowful it was to be afraid.

But Bessie Bell could not see anything to be afraid of: the band was playing just as gaily as ever, and the children, and the nurses, and