| The first excerpt represents the past or something you must release, and is drawn from U. S. Project Trinity Report by Carl Maag and Steve Rohrer: 7. AUTHOR(S): Carl Maag, Steve Rorer
8. CONTRACT OR GRANT NUMBER(S): DNA 001-79-C-0473
9. PERFORMING ORGANIZATION NAME AND ADDRESS:
JRB Associates
8400 Westpark Drive
McLean, Virginia 22102
10. PROGRAM ELEMENT. PROJECT, TASK AREA & WORK UNIT NUMBERS:
Subtask U99QAXMK506-08
11. CONTROLLING OFFICE NAME AND ADDRESS:
Director
Defense Nuclear Agency
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson: The junks and bangles, beads and screens,
The gods and sacred bells,
And the load-humming, twisted shells!
The level of the parlour floor
Was honest, homely, Scottish shore;
But when we climbed upon a chair,
Behold the gorgeous East was there!
Be this a fable; and behold
Me in the parlour as of old,
And Minnie just above me set
In the quaint Indian cabinet!
A Child's Garden of Verses |
The third excerpt represents the future or something you must embrace, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs: the most palatable it was certainly by far the easiest
to secure, yet there was that in the bestial growls of
the strange creature which reminded him of formidable
antagonists and gave him pause, while his hunger and
the odor of the hot flesh of Bara goaded him almost to
madness. Always Tarzan watched him, guessing what was
passing in the little brain of the carnivore and well
it was that he did watch him, for at last Numa could
stand it no longer. His tail shot suddenly erect and
at the same instant the wary ape-man, knowing all too
well what the signal portended, grasped the remainder
Tarzan and the Jewels of Opar |
