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Today's Stichomancy for Alanis Morissette

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mirror of the Sea by Joseph Conrad:

secret a bitter idea of my utter recklessness. But upon the whole, and unless the grip of a man's hand at parting means nothing whatever, I conclude that we did like each other at the end of two years and three months well enough.

The bond between us was the ship; and therein a ship, though she has female attributes and is loved very unreasonably, is different from a woman. That I should have been tremendously smitten with my first command is nothing to wonder at, but I suppose I must admit that Mr. B-'s sentiment was of a higher order. Each of us, of course, was extremely anxious about the good appearance of the beloved object; and, though I was the one to glean compliments


The Mirror of the Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Sentimental Journey by Laurence Sterne:

be of use, would needs go wash it in the stream. - And where will you dry it, Maria? said I. - I'll dry it in my bosom, said she: - 'twill do me good.

And is your heart still so warm, Maria? said I.

I touch'd upon the string on which hung all her sorrows: - she look'd with wistful disorder for some time in my face; and then, without saying any thing, took her pipe and play'd her service to the Virgin. - The string I had touched ceased to vibrate; - in a moment or two Maria returned to herself, - let her pipe fall, - and rose up.

And where are you going, Maria? said I. - She said, to Moulines. -

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The New Machiavelli by H. G. Wells:

couple, bright, hopeful, and energetic, starting out under Altiora's auspices to make a career. You figure us well dressed and active, running about in motor-cars, visiting in great people's houses, dining amidst brilliant companies, going to the theatre, meeting in the lobby. Margaret wore hundreds of beautiful dresses. We must have had an air of succeeding meritoriously during that time.

We did very continually and faithfully serve our joint career. I thought about it a great deal, and did and refrained from doing ten thousand things for the sake of it. I kept up a solicitude for it, as it were by inertia, long after things had happened and changes occurred in me that rendered its completion impossible. Under

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Philebus by Plato:

were affirming to appertain specially to the soul--sciences and arts and true opinions as we called them? These come after the third class, and form the fourth, as they are certainly more akin to good than pleasure is.

PROTARCHUS: Surely.

SOCRATES: The fifth class are the pleasures which were defined by us as painless, being the pure pleasures of the soul herself, as we termed them, which accompany, some the sciences, and some the senses.

PROTARCHUS: Perhaps.

SOCRATES: And now, as Orpheus says,

'With the sixth generation cease the glory of my song.'

Here, at the sixth award, let us make an end; all that remains is to set