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Today's Stichomancy for Albert Einstein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Commission in Lunacy by Honore de Balzac:

she cherished against anybody who dwelt in her unfavorable remembrance. She made no fuss, she did not excite herself, she talked, because she knew that by two words a woman may cause the death of three men.

She had parted from M. d'Espard with the greatest satisfaction. Had he not taken with him two children who at present were troublesome, and in the future would stand in the way of her pretensions? Her most intimate friends, as much as her least persistent admirers, seeing about her none of Cornelia's jewels, who come and go, and unconsciously betray their mother's age, took her for quite a young woman. The two boys, about whom she seemed so anxious in her petition,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The School For Scandal by Richard Brinsley Sheridan:

SIR PETER. 'Tis very neat indeed--well well that's proper-- and you make even your Screen a source of knowledge--hung I perceive with Maps--

SURFACE. O yes--I find great use in that Screen.

SIR PETER. I dare say you must--certainly--when you want to find out anything in a Hurry.

SURFACE. Aye or to hide anything in a Hurry either--

SIR PETER. Well I have a little private Business--if we were alone--

SURFACE. You needn't stay.

SERVANT. No--Sir---- [Exit SERVANT.]

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Old Maid by Honore de Balzac:

but he appeared at times quite gay,--gay with the satire of those who think to insult a whole world with their own individual scorn. This young man, outside of all the ideas and all the pleasures of the provinces, interested few persons; he was not even an object of curiosity. If persons spoke of him to his mother, it was for her sake, not his. There was not a single soul in Alencon that sympathized with his; not a woman, not a friend came near to dry his tears; they dropped into the Sarthe. If the gorgeous Suzanne had happened that way, how many young miseries might have been born of the meeting! for the two would surely have loved each other.

She did come, however. Suzanne's ambition was early excited by the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

that the true nature of the senses had never been understood, and that they had remained savage and animal merely because the world had sought to starve them into submission or to kill them by pain, instead of aiming at making them elements of a new spirituality, of which a fine instinct for beauty was to be the dominant characteristic. As he looked back upon man moving through history, he was haunted by a feeling of loss. So much had been surrendered! and to such little purpose! There had been mad wilful rejections, monstrous forms of self-torture and self-denial, whose origin was fear and whose result was a degradation infinitely more terrible

The Picture of Dorian Gray