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Today's Stichomancy for Albert Einstein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from To the Lighthouse by Virginia Woolf:

shape of the thing. He had to keep his judgement in suspense. So he returned to the other thought--if young men did not care for this, naturally they did not care for him either. One ought not to complain, thought Mr Ramsay, trying to stifle his desire to complain to his wife that young men did not admire him. But he was determined; he would not bother her again. Here he looked at her reading. She looked very peaceful, reading. He liked to think that every one had taken themselves off and that he and she were alone. The whole of life did not consist in going to bed with a woman, he thought, returning to Scott and Balzac, to the English novel and the French novel.

Mrs Ramsay raised her head and like a person in a light sleep seemed to


To the Lighthouse
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tristram Shandy by Laurence Sterne:

cap, without further attempting it, he put it on; and passing his hand across his forehead to rub out a pensive wrinkle, which the text and the doctrine between them had engender'd, he return'd, with the same look and tone of voice, to his story of the king of Bohemia and his seven castles.

The Story of the King of Bohemia and His Seven Castles, Continued.

There was a certain king of Bohemia, but in whose reign, except his own, I am not able to inform your honour--

I do not desire it of thee, Trim, by any means, cried my uncle Toby.

--It was a little before the time, an' please your honour, when giants were beginning to leave off breeding:--but in what year of our Lord that was--

I would not give a halfpenny to know, said my uncle Toby.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Shadow Line by Joseph Conrad:

denly:

"How will you get the ship into harbour, sir, without men to handle her?"

And I couldn't tell him.

Well--it did get done about forty hours after- ward. By the exorcising virtue of Mr. Burns' awful laugh, the malicious spectre had been laid, the evil spell broken, the curse removed. We were now in the hands of a kind and energetic Provi- dence. It was rushing us on. . . .

I shall never forget the last night, dark, windy,


The Shadow Line
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Under the Red Robe by Stanley Weyman:

stone seat against the house, and I stepped that way.

'Mademoiselle?' I said softly. 'Is it you?'

'Clon?' she muttered, her voice quivering. 'What of him?'

'He is past pain,' I answered gently. 'He is dead--yes, dead, Mademoiselle, but in his own way. Take comfort.'

She stifled a sob; then before I could say more, the Lieutenant, with his sergeant and light, were at my elbow. He saluted Mademoiselle roughly. She looked at him with shuddering abhorrence.

'Are you come to flog me too, sir?' she said passionately. 'Is it not enough that you have murdered my servant?'