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Today's Stichomancy for Albert Einstein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

under the impenetrable ALIAS of the number of his bed, the crapulous being lay for some more days unconscious of all things, and of one thing in particular: that the police were after him. Two months had come and gone before the convalescent in the Sacramento hospital was identified with Kirkman, the absconding San Francisco clerk; even then, there must elapse nearly a fortnight more till the perfect stranger could be hunted up, the portmanteau recovered, and John's letter carried at length to its destination, the seal still unbroken, the inclosure still intact.

Meanwhile, John had gone upon his holidays without a word,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sarrasine by Honore de Balzac:

Jesuits smiled at them. At last, if we are to believe college traditions, he was expelled because, while awaiting his turn to go to the confessional one Good Friday, he carved a figure of the Christ from a stick of wood. The impiety evidenced by that figure was too flagrant not to draw down chastisement on the artist. He had actually had the hardihood to place that decidedly cynical image on the top of the tabernacle!

"Sarrasine came to Paris to seek a refuge against the threats of a father's malediction. Having one of those strong wills which know no obstacles, he obeyed the behests of his genius and entered Bouchardon's studio. He worked all day and went about at night begging

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 1492 by Mary Johntson:

or Cannibals. They had a dozen Caribs, men and women, prisoners upon the _Marigalante_ that was the Admiral's ship.

This group about Juan Lepe, survivor of La Navidad, talked like seasoned finders and takers. For the most part they were young men and hidalgos, fighters against the Moors, released by the final conquest of those paynims, out now for further wild adventure and for gold with which to return, wealthy and still young, to Spanish country, Spanish cities, Spanish women! They had the virtue and the vice of their sort, courage, miraculous generosities and as miraculous

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

last, that dissertation on architecture, was perfectly awfulso "highbrow" that I picture you living in an intellectual and emotional vacuum; and beware of trying to classify people too definitely into types; you will find that all through their youth they will persist annoyingly in jumping from class to class, and by pasting a supercilious label on every one you meet you are merely packing a Jack-in-the-box that will spring up and leer at you when you begin to come into really antagonistic contact with the world. An idealization of some such a man as Leonardo da Vinci would be a more valuable beacon to you at present.

You are bound to go up and down, just as I did in my youth, but


This Side of Paradise