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Today's Stichomancy for Alec Guinness

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memories and Portraits by Robert Louis Stevenson:

spoke of their past patients -familiarly but not without respect, like old family servants. Here is indeed a servant, whom we forget that we possess; who does not wait at the bright table, or run at the bell's summons, but patiently smokes his pipe beside the mortuary fire, and in his faithful memory notches the burials of our race. To suspect Shakespeare in his maturity of a superficial touch savours of paradox; yet he was surely in error when he attributed insensibility to the digger of the grave. But perhaps it is on Hamlet that the charge should lie; or perhaps the English sexton differs from the Scotch. The "goodman delver," reckoning up his years of office, might have at least suggested other thoughts.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Commission in Lunacy by Honore de Balzac:

Coeur enriched twenty noble families; the confiscations pronounced by the English to the advantage of their adherents at the time when they held a part of France made the fortune of several princely houses.

"Our law allows M. d'Espard to dispose of his income without accounting for it, or suffering him to be accused of its misapplication. A Commission in Lunacy can only be granted when a man's actions are devoid of reason; but in this case, the remittances made to you have a reason based on the most sacred and most honorable motives. Hence you may keep it all without remorse, and leave the world to misinterpret a noble action. In Paris, the highest virtue is the object of the foulest calumny. It is, unfortunately, the present

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner.

Marilla set the candle on a three-legged, three-cornered


Anne of Green Gables
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

look, seems to be trotting clumsily away from such a dangerous neighbour. Often, for hours together, these two will be alone in the Close, for it lies out of the way of all but legal traffic. On one side the south wall of the church, on the other the arcades of the Parliament House, enclose this irregular bight of causeway and describe their shadows on it in the sun. At either end, from round St. Giles's buttresses, you command a look into the High Street with its motley passengers; but the stream goes by, east and west, and leaves the Parliament Close to Charles the Second and the birds. Once in a