| The first excerpt represents the past or something you must release, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard: its ripples till Aunt Eliza was reached. She sent for William,
whose only excuse was "dampness."
"Uxbridge knew my carriage, of course," she said, with a
complacent voice.
"He knew me," I replied.
"You do not look like the Huells."
"I look precisely like the young woman to whom he was introduced
by Mr. Van Horn."
"Oh ho!"
"He thought it unsafe for me to come alone under William's
charge."
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lady Chatterley's Lover by D. H. Lawrence: not unpeaceful. His very stillness was peaceful.
She knew that, when at last he roused and drew away from her. It was
like an abandonment. He drew her dress in the darkness down over her
knees and stood a few moments, apparently adjusting his own clothing.
Then he quietly opened the door and went out.
She saw a very brilliant little moon shining above the afterglow over
the oaks. Quickly she got up and arranged herself she was tidy. Then
she went to the door of the hut.
All the lower wood was in shadow, almost darkness. Yet the sky overhead
was crystal. But it shed hardly any light. He came through the lower
shadow towards her, his face lifted like a pale blotch.
 Lady Chatterley's Lover |
The third excerpt represents the future or something you must embrace, and is drawn from End of the Tether by Joseph Conrad: out a good berth for the ducal yacht. Afterwards he
had an invitation to lunch on board. The duchess her-
self lunched with them. A big woman with a red face.
Complexion quite sunburnt. He should think ruined.
Very gracious manners. They were going on to
Japan. . . .
He ejaculated these details for Captain Whalley's edi-
fication, pausing to blow out his cheeks as if with a
pent-up sense of importance, and repeatedly protruding
his thick lips till the blunt crimson end of his nose seemed
to dip into the milk of his mustache. The place ran
 End of the Tether |