| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Les Miserables by Victor Hugo: state, his intoxication with Cosette, love absorbing everything,
that catching away of each other into the ideal, and perhaps also,
like the imperceptible quantity of reason mingled with this violent
and charming state of the soul, a vague, dull instinct impelling him
to conceal and abolish in his memory that redoubtable adventure,
contact with which he dreaded, in which he did not wish to play
any part, his agency in which he had kept secret, and in which he
could be neither narrator nor witness without being an accuser.
Moreover, these few weeks had been a flash of lightning; there had
been no time for anything except love.
In short, having weighed everything, turned everything over in his mind,
 Les Miserables |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Inland Voyage by Robert Louis Stevenson: matters are thenceforward hidden from his view. He sees nothing
but the heavenly bodies, all in admirable order, and positively as
good as new. He finds himself surrounded in the most touching
manner by the attentions of Providence, and compares himself
involuntarily with the lilies and the skylarks. He does not
precisely sing, of course; but then he looks so unassuming in his
open landau! If all the world dined at one table, this philosophy
would meet with some rude knocks.
PONT-SUR-SAMBRE
THE TRAVELLING MERCHANT
LIKE the lackeys in Moliere's farce, when the true nobleman broke
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