The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Virginibus Puerisque by Robert Louis Stevenson: must have an evil conscience. You may dally as long as you
like by the roadside. It is almost as if the millennium were
arrived, when we shall throw our clocks and watches over the
housetop, and remember time and seasons no more. Not to keep
hours for a lifetime is, I was going to say, to live for ever.
You have no idea, unless you have tried it, how endlessly long
is a summer's day, that you measure out only by hunger, and
bring to an end only when you are drowsy. I know a village
where there are hardly any clocks, where no one knows more of
the days of the week than by a sort of instinct for the fete
on Sundays, and where only one person can tell you the day of
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson: food, bright weather, and light hearts. In what we meditate of
evil, frustrate our will; in what of good, further our endeavours.
Cause injuries to be forgot and benefits to be remembered.
Let us lie down without fear and awake and arise with exultation.
For his sake, in whose words we now conclude.
IN TIME OF RAIN
WE thank Thee, Lord, for the glory of the late days and the
excellent face of thy sun. We thank Thee for good news received.
We thank Thee for the pleasures we have enjoyed and for those we
have been able to confer. And now, when the clouds gather and the
rain impends over the forest and our house, permit us not to be
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Passion in the Desert by Honore de Balzac: his ignorance led him to imagine all terrors at once; he endured a
cruel torture, noting every variation of the breathing close to him
without daring to make the slightest movement. An odor, pungent like
that of a fox, but more penetrating, more profound,--so to speak,--
filled the cave, and when the Provencal became sensible of this, his
terror reached its height, for he could no longer doubt the proximity
of a terrible companion, whose royal dwelling served him for a
shelter.
Presently the reflection of the moon descending on the horizon lit up
the den, rendering gradually visible and resplendent the spotted skin
of a panther.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson: priests long since, who had received newspapers and kept him
informed of the state of ecclesiastical affairs in England. And he
asked me eagerly after Dr. Pusey, for whose conversion the good man
had continued ever since to pray night and morning.
'I thought he was very near the truth,' he said; 'and he will reach
it yet; there is so much virtue in prayer.'
He must be a stiff, ungodly Protestant who can take anything but
pleasure in this kind and hopeful story. While he was thus near
the subject, the good father asked me if I were a Christian; and
when he found I was not, or not after his way, he glossed it over
with great good-will.
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