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Today's Stichomancy for Aleister Crowley

The first excerpt represents the past or something you must release, and is drawn from Before Adam by Jack London:

of one bulging eye of his, swollen almost shut by one of the stones we had thrown. And vividly do I retain the picture of him as he stood on the edge of the forest whither he had finally retreated. He was looking back at us, his writhing lips lifted clear of the very roots of his huge fangs, his hair bristling and his tail lashing. He gave one last snarl and slid from view among the trees.

And then such a chattering as went up. We swarmed out of our holes, examining the marks his claws had made on the crumbling rock of the bluff, all of us talking at

The second excerpt represents the present or the deciding factor of the moment, and is drawn from To-morrow by Joseph Conrad:

of hope with so bitter an aptness that in her ner- vous irritation she could have screamed at him out- right. But she only said in self-mockery, and speaking to him as though he had been sane, "Why, Captain Hagberd, your son may not even want to look at me."

He flung his head back and laughed his throaty affected cackle of anger.

"What! That boy? Not want to look at the only sensible girl for miles around? What do you think I am here for, my dear--my dear--my dear?


To-morrow
The third excerpt represents the future or something you must embrace, and is drawn from Plutarch's Lives by A. H. Clough:

is honest before that which is popular, and in speaking, to free the right and useful measure from everything that may occasion offense. An incident occurred in the theater, during his consulship, which showed what his speaking could do. For whereas formerly the knights of Rome were mingled in the theater with the common people, and took their places amongst them as it happened, Marcus Otho, when he was praetor, was the first who distinguished them from the other citizens, and appointed them a proper seat, which they still enjoy as their special place in the theater. This the common people took as an indignity done to them, and, therefore, when Otho appeared in the theater, they