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Today's Stichomancy for Alessandra Ambrosio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Augsburg Confession by Philip Melanchthon:

honest life could not succeed, but were defiled with many open crimes. Such is the feebleness of man when he is without faith and without the Holy Ghost, and governs himself only by human strength.

Hence it may be readily seen that this doctrine is not to be charged with prohibiting good works, but rather the more to be commended, because it shows how we are enabled to do good works. For without faith human nature can in no wise do the works of the First or of the Second Commandment. Without faith it does not call upon God, nor expect anything from God, nor bear the cross, but seeks, and trusts in, man's help. And

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

The place was far from any road, and in sight of no other house, yet precautions were none the less necessary; since rumours of strange lights, started by chance nocturnal roamers, would soon bring disaster on our enterprise. It was agreed to call the whole thing a chemical laboratory if discovery should occur. Gradually we equipped our sinister haunt of science with materials either purchased in Boston or quietly borrowed from the college -- materials carefully made unrecognisable save to expert eyes -- and provided spades and picks for the many burials we should have to make in the cellar. At the college we used an incinerator, but the apparatus was too costly for our unauthorised laboratory. Bodies were always


Herbert West: Reanimator
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In the Cage by Henry James:

felt him take it up, take it down, as if they had been on a satin sofa in a boudoir. She had never seen a boudoir, but there had been lots of boudoirs in the telegrams. What she had said at all events sank into him, so that after a minute he simply made a movement that had the result of placing his hand on her own-- presently indeed that of her feeling herself firmly enough grasped. There was no pressure she need return, there was none she need decline; she just sat admirably still, satisfied for the time with the surprise and bewilderment of the impression she made on him. His agitation was even greater on the whole than she had at first allowed for. "I say, you know, you mustn't think of leaving!" he

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

Her face lighted with pleasure and relief. "You found it!" she exclaimed. "What fortune!"

"It was fortune indeed," he replied. "Since it not only told that you were a prisoner here; but it saved me from the banths as I was crossing the valley from the hills to this tower into which I saw them take you this afternoon after your brave attempt at escape."

"How did you know it was I?" she asked, her puzzled brows scanning his face as though she sought to recall from past memories some scene in which he figured.

"Who is there but knows of the loss of the Princess Tara of


The Chessmen of Mars