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Today's Stichomancy for Alessandra Ambrosio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Chance by Joseph Conrad:

over a new coat from the tailor without . . . first thing, directly the fellow came on board with some new clothes, whether in London or in China, it would be: 'Pass the word along there for Mr. Franklin. Mr. Franklin wanted in the cabin.' In I would go. 'Just look at my back, Franklin. Fits all right, doesn't it?' And I would say: 'First rate, sir,' or whatever was the truth of it. That or anything else. Always the truth of it. Always. And well he knew it; and that's why he dared not speak right out. Talking about workmen, alterations, cabins . . . Phoo! . . . instead of a straightforward--'Wish me joy, Mr. Franklin!' Yes, that was the way to let me know. God only knows what they are--perhaps she isn't his


Chance
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Unsocial Socialist by George Bernard Shaw:

a perfect love, but, humanly speaking, it is a true one. I almost told you so that day when we were in the billiard room together; and I did a very dishonorable thing the same evening. When you were speaking to Trefusis in the avenue I was close to you, and I listened."

"Then you heard him," cried Gertrude vehemently. "You heard him swear that he was in earnest."

"Yes," said Erskine, trembling, "and I thought he meant in earnest in loving you. You can hardly blame me for that: I was in love myself; and love is blind and jealous. I never hoped again until he told me that he was to be married to Miss Wylie. May I

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

plunging mid-leg in bog, until I gained the entrance of the village. In the first lighted house there was a woman who would not open to me. She could do nothing, she cried to me through the door, being alone and lame; but if I would apply at the next house, there was a man who could help me if he had a mind.

They came to the next door in force, a man, two women, and a girl, and brought a pair of lanterns to examine the wayfarer. The man was not ill-looking, but had a shifty smile. He leaned against the doorpost, and heard me state my case. All I asked was a guide as far as Cheylard.

'C'EST QUE, VOYEZ-VOUS, IL FAIT NOIR,' said he.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Vision Splendid by William MacLeod Raine:

She smiled. "I'm for you."

"Against Senator Frome and Mr. Powers?"

"I think the bill ought to be passed. I'm not against anybody."

"Well, I'll tell you this. It will help the story a lot to have you in it. Some people might say we framed the whole thing up. But with Senator Frome's daughter starring in it."

"Oh, no, Mr. Farnum's the star."

"Well, you're the leading lady. Don't you see how it helps? Clinches the whole thing as genuine. It's as good as putting the Senator himself on the stand as a witness for us. We've just got to have you."