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Today's Stichomancy for Alessandra Ambrosio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

away from him and in full possession of herself.

That was the steady Freya. She was touched by the deep sigh which floated up to her from the white figure of Jasper, who did not stir.

"You are a mad kid," she said tremulously. Then with a change of tone: "No one could carry me off. Not even you. I am not the sort of girl that gets carried off." His white form seemed to shrink a little before the force of that assertion and she relented. "Isn't it enough for you to know that you have - that you have carried me away?" she added in a tender tone.

He murmured an endearing word, and she continued:


'Twixt Land & Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flame and Shadow by Sara Teasdale:

There you will not come at dusk on closing water lilies, And the shadow of mountains will not fall on your heart.

"Did You Never Know?"

Did you never know, long ago, how much you loved me -- That your love would never lessen and never go? You were young then, proud and fresh-hearted, You were too young to know.

Fate is a wind, and red leaves fly before it Far apart, far away in the gusty time of year -- Seldom we meet now, but when I hear you speaking, I know your secret, my dear, my dear.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lay Morals by Robert Louis Stevenson:

topped the whole. It may be imagined how lamely matters went throughout these cross purposes.

In spite of this, and some other hitches, Salvini's Macbeth had an emphatic success. The creation is worthy of a place beside the same artist's Othello and Hamlet. It is the simplest and most unsympathetic of the three; but the absence of the finer lineaments of Hamlet is redeemed by gusto, breadth, and a headlong unity. Salvini sees nothing great in Macbeth beyond the royalty of muscle, and that courage which comes of strong and copious circulation. The moral smallness of the man is insisted on from the first, in the shudder of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Happy Prince and Other Tales by Oscar Wilde:

beginning, and parents cannot be too patient."

"Ah! I know nothing about the feelings of parents," said the Water- rat; "I am not a family man. In fact, I have never been married, and I never intend to be. Love is all very well in its way, but friendship is much higher. Indeed, I know of nothing in the world that is either nobler or rarer than a devoted friendship."

"And what, pray, is your idea of the duties of a devoted friend?" asked a Green Linnet, who was sitting in a willow-tree hard by, and had overheard the conversation.

"Yes, that is just what I want to know," said the Duck; and she swam away to the end of the pond, and stood upon her head, in order