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Today's Stichomancy for Alessandra Ambrosio

The first excerpt represents the past or something you must release, and is drawn from Beast in the Jungle by Henry James:

though ever so much older--older than when he had seen her before-- it might have been as an effect of her guessing that he had, within the couple of hours, devoted more imagination to her than to all the others put together, and had thereby penetrated to a kind of truth that the others were too stupid for. She WAS there on harder terms than any one; she was there as a consequence of things suffered, one way and another, in the interval of years; and she remembered him very much as she was remembered--only a good deal better.

By the time they at last thus came to speech they were alone in one of the rooms--remarkable for a fine portrait over the chimney-

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Charmides and Other Poems by Oscar Wilde:

How God had staked an evil net for him In the small bay at Salamis, - and yet, the page grows dim,

Its cadenced Greek delights me not, I feel With such a goodly time too out of tune To love it much: for like the Dial's wheel That from its blinded darkness strikes the noon Yet never sees the sun, so do my eyes Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life To teach us what is Wisdom! speak ye hills Of lone Helvellyn, for this note of strife

The third excerpt represents the future or something you must embrace, and is drawn from The Taming of the Shrew by William Shakespeare:

This is a way to kill a wife with kindness; And thus I'll curb her mad and headstrong humour. He that knows better how to tame a shrew, Now let him speak; 'tis charity to show.

[Exit.]

SCENE II. Padua. Before BAPTISTA'S house.

[Enter TRANIO and HORTENSIO.]

TRANIO. Is 't possible, friend Licio, that Mistress Bianca Doth fancy any other but Lucentio? I tell you, sir, she bears me fair in hand.


The Taming of the Shrew