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Today's Stichomancy for Alessandra Ambrosio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Vailima Letters by Robert Louis Stevenson:

with a convent? might there not be some Huguenot business mixed in? Here am I, far from books; if you can help me with a suggestion, I shall say God bless you. She has to be new run away from a strict family, well-justified in her own wild but honest eyes, and meeting these three men, Charles Edward, Marischal, and Balmile, through the accident of a fire at an inn. She must not run from a marriage, I think; it would bring her in the wrong frame of mind. Once I can get her, SOLA, on the highway, all were well with my narrative. Perpend. And help if you can.

Lafaele, long (I hope) familiar to you, has this day received

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Howard Pyle's Book of Pirates by Howard Pyle:

assume curiously gigantic proportions.

For some reason Mainwaring was possessed by a strange, uneasy feeling. He walked restlessly up and down the deck for a time, and then, still full of anxieties for he knew not what, went into his cabin to finish writing up his log for the day. He unstrapped his cutlass and laid it upon the table, lighted his pipe at the lanthorn and was about preparing to lay aside his coat when word was brought to him that the captain of the trading schooner was come alongside and had some private information to communicate to him.

Mainwaring surmised in an instant that the trader's visit related

Howard Pyle's Book of Pirates
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The War in the Air by H. G. Wells:

south of England, and conducted the subsequent discussions with astonishing verve. Bert and he settled down very well together. Bert lived in, became almost a trick rider--he could ride bicycles for miles that would have come to pieces instantly under you or me--took to washing his face after business, and spent his surplus money upon remarkable ties and collars, cigarettes, and shorthand classes at the Bun Hill Institute.

He would go round to Tom at times, and look and talk so brilliantly that Tom and Jessie, who both had a natural tendency to be respectful to anybody or anything, looked up to him immensely.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Statesman by Plato:

fibres of plants and some of hair, and of these some are cemented with water and earth, and some are fastened with their own material; the latter are called clothes, and are made by the art of clothing, from which the art of weaving differs only in name, as the political differs from the royal science. Thus we have drawn several distinctions, but as yet have not distinguished the weaving of garments from the kindred and co-operative arts. For the first process to which the material is subjected is the opposite of weaving--I mean carding. And the art of carding, and the whole art of the fuller and the mender, are concerned with the treatment and production of clothes, as well as the art of weaving. Again, there are the arts which make the weaver's tools. And if we say that the weaver's art is