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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the past or something you must release, and is drawn from Letters from England by Elizabeth Davis Bancroft:

and in the most delightful society, the fine pictures and noble apartments of Stafford House again.

. . . On Tuesday Mr. Hallam took us to the British Museum, and being a director, he could enter on a private day, when we were not annoyed by a crowd, and, moreover, we had the advantage of the best interpreters and guides. We did not even enter the library, which requires a day by itself, but confined ourselves to the Antiquity rooms. . . . As I entered the room devoted to the Elgin marbles, the works of the "divine Phidias," I stepped with awe, as if entering a temple, and the Secretary, who was by my side, observing it, told me that the Grand Duke Constantine, when he came a few days before,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Communist Manifesto by Karl Marx:

But with the development of industry the proletariat not only increases in number; it becomes concentrated in greater masses, its strength grows, and it feels that strength more. The various interests and conditions of life within the ranks of the proletariat are more and more equalised, in proportion as machinery obliterates all distinctions of labour, and nearly everywhere reduces wages to the same low level. The growing competition among the bourgeois, and the resulting commercial crises, make the wages of the workers ever more fluctuating. The unceasing improvement of machinery, ever more rapidly developing, makes their livelihood more and more precarious; the collisions


The Communist Manifesto
The third excerpt represents the future or something you must embrace, and is drawn from Whirligigs by O. Henry:

fact, especially much older men than you. I will try to relieve you from it, and this night. You shall see for yourself into exactly what predicament you have fallen, and how you shall, possibly, be extricated. There is no evidence so credible as that of the eyesight."

Father Rogan moved about the room, and donned a soft black hat. Buttoning his coat to his throat, he laid his hand on the doorknob. "Let us walk," he said.

The two went out upon the street. The priest turned his face down it, and Lorison walked with him through a