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Today's Stichomancy for Alyssa Milano

The first excerpt represents the past or something you must release, and is drawn from Sons of the Soil by Honore de Balzac:

wives, she liked to see her closets full of silk gowns, made and unmade, and jewels and laces which did her no good and only excited the sin of envy and a desire for her death in the minds of all the young women who served Rigou. She was one of those beings, half-woman, half-animal, who are born to live by instinct. This ex-beautiful Arsene was disinterested; and the bequest left to her by the late Abbe Niseron would be inexplicable were it not for the curious circumstance which prompted it, and which we give here for the edification of the vast tribe of expectant heirs.

Madame Niseron, the wife of the old republican sexton, always paid the greatest attention to her husband's uncle, the priest of Blangy; the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from On Revenues by Xenophon:

office, a board of guardians of foreign residents like our Guardians of Orphans,[10] with special privileges assigned to those guardians who should show on their books the greatest number of resident aliens --such a measure would tend to improve the goodwill of the class in question, and in all probability all people without a city of their own would aspire to the status of foreign residents in Athens, and so further increase the revenues of the city.[11]

[10] "The Archon was the legal protector of all orphans. It was his duty to appoint guardians, if none were named in the father's will."--C. R. Kennedy, Note to "Select Speeches of Demosthenes." The orphans of those who had fallen in the war (Thuc. ii. 46) were

The third excerpt represents the future or something you must embrace, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

an atmosphere which had no affinity with the air of heaven, but which had reeked up from the decayed trees, and the grey wall, and the silent tarn--a pestilent and mystic vapour, dull, sluggish, faintly discernible, and leaden-hued.

Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building. Its principal feature seemed to be that of an excessive antiquity. The discoloration of ages had been great. Minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there


The Fall of the House of Usher