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Today's Stichomancy for Ambrose Bierce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Emerald City of Oz by L. Frank Baum:

"Nothing can save the Land of Oz!" thought the First and Foremost, scowling until his bear face was as black as the tunnel.

"The Emerald City is as good as destroyed already!" muttered the Grand Gallipoot, shaking his war club fiercely.

"In a few hours Oz will be a desert!" said the Chief of the Whimsies, with an evil laugh.

"My dear Guph," remarked the Nome King to his General, "at last my vengeance upon Ozma of Oz and her people is about to be accomplished."

"You are right!" declared the General. "Ozma is surely lost."

And now the First and Foremost, who was in advance and nearing the Emerald City, began to cough and to sneeze.


The Emerald City of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gone With the Wind by Margaret Mitchell:

before, were now grizzled.

She thanked God tiredly that she had cried all her tears the night before, so now she could stand erect and dry eyed. The sound of Suellen's tears, just back of her shoulder, irritated her unbearably and she had to clench her fists to keep from turning and slapping the swollen face. Sue had been the cause of her father's death, whether she intended it or not, and she should have the decency to control herself in front of the hostile neighbors. Not a single person had spoken to her that morning or given her one look of sympathy. They had kissed Scarlett quietly, shaken her hand, murmured kind words to Carreen and even to Pork but had


Gone With the Wind
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Vailima Letters by Robert Louis Stevenson:

prosaic book.

I called on the two German ships now in port, and we are quite friendly with them, and intensely friendly of course with our own CURACOAS. But it is other guess work on the beach. Some one has employed, or subsidised, one of the local editors to attack me once a week. He is pretty scurrilous and pretty false. The first effect of the perusal of the weekly Beast is to make me angry; the second is a kind of deep, golden content and glory, when I seem to say to people: 'See! this is my position - I am a plain man dwelling in the bush in a house, and behold they have to get up this

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon:

[16] See Plut. "Lycurg." 22 (Clough, i. 114); and for the goat sacrificed to Artemis Agrotera, see "Hell." IV. ii. 20; Pause. IX. xiii. 4; Plut. "Marcell." 22 (Clough, ii. 264).

[17] See Plut. "Lycurg." 22 (Clough, i. 114). The passage is corrupt, and possibly out of its place. I cite the words as they run in the MSS. with various proposed emendations. See Schneider, n. ad loc. {exesti de to neo kai kekrimeno eis makhen sunienai kai phaidron einai kai eudokimon. kai parakeleuontai de k.t.l.} Zeune, {kekrimeno komen}, after Plut. "Lycurg." 22. Weiske, {kai komen diakekrimeno}. Cobet, {exesti de to neo liparo kai tas komas diakekrimeno eis makhen ienai}.