Today's Stichomancy for Ambrose Bierce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Herodias by Gustave Flaubert:

When she approached him with her ghastly burden, he turned away his head to avoid looking at it. Vitellius threw upon it an indifferent glance.

Mannaeus descended from the pavilion, took the charger from the woman, and exhibited the head to the Roman captains, then to all the guests on that side of the hall.

They looked at it curiously.

The sharp blade of the sword had cut into the jaw with a swift downward stroke. The corners of the mouth were drawn, as if by a convulsion. Clots of blood besprinkled the beard. The closed eyelids had a shell-like transparency, and the candelabra on every side

Herodias

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Secret Agent by Joseph Conrad:

The so-to-speak public utterance was much more precise.

"I saw him for the first time in my life a little more than seven years ago, when two Imperial Highnesses and the Imperial Chancellor were on a visit here. I was put in charge of all the arrangements for looking after them. Baron Stott-Wartenheim was Ambassador then. He was a very nervous old gentleman. One evening, three days before the Guildhall Banquet, he sent word that he wanted to see me for a moment. I was downstairs, and the carriages were at the door to take the Imperial Highnesses and the Chancellor to the opera. I went up at once. I found the Baron walking up and down his bedroom in a pitiable state of distress, squeezing his hands

The Secret Agent

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Woman and Labour by Olive Schreiner:

and the individual, whether male or female, an intense love of dress and meretricious external adornment is almost invariably the concomitant and outcome of parasitism. Were the parasite female class in our own societies today to pass away, French fashions with their easeless and grotesque variations (shaped not for use or beauty, but the attracting of attention) would die out. And the extent to which any woman today, not herself belonging to the parasite class and still labouring, attempts to follow afar off the fashions of the parasite, may be taken generally as an almost certain indication of the ease with which she would accept parasitism were its conditions offered her. The tendency of the cultured and intellectually labouring woman of today to adopt a more rational type of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Age of Innocence by Edith Wharton:

to take in the situation thus suddenly lighted up for him, and M. Riviere also remained silent, as if aware that what he had said was enough.

"A special mission," Archer at length repeated.

The young Frenchman, opening his palms, raised them slightly, and the two men continued to look at each other across the office-desk till Archer roused himself to say: "Do sit down"; whereupon M. Riviere bowed, took a distant chair, and again waited.

"It was about this mission that you wanted to consult me?" Archer finally asked.