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Today's Stichomancy for Ambrose Bierce

The first excerpt represents the past or something you must release, and is drawn from The Monster Men by Edgar Rice Burroughs:

Professor Maxon pondered the question for a moment.

"I have given the matter but little thought," he said at length. "They are but the accidents of my great work. It is unfortunate that they are as they are, but without them I could have never reached the perfection that I am sure we are to find here," and he tapped lovingly upon the heavy glass cover of the vat before which he stood. "And this is but the beginning. There can be no more mistakes now, though I doubt if we can ever improve upon that which is so rapidly developing here." Again he passed his long, slender hand


The Monster Men
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lady Susan by Jane Austen:

because I have reason to believe that some attempts were made to prejudice you against me. I only wish that they, whoever they are, to whom I am indebted for such kind intentions, could see the terms on which we now are together, and understand the real affection we feel for each other; but I will not detain you any longer. God bless you, for your goodness to me and my girl, and continue to you all your present happiness." What can one say of such a woman, my dear mother? Such earnestness such solemnity of expression! and yet I cannot help suspecting the truth of everything she says. As for Reginald, I believe he does not know what to make of the matter. When Sir James came, he appeared all astonishment and perplexity; the folly of the young man and the confusion of Frederica entirely


Lady Susan
The third excerpt represents the future or something you must embrace, and is drawn from La Grande Breteche by Honore de Balzac:

their last wishes, I confess that families in tears and the agonies I have seen were as nothing in comparison with this lonely and silent woman in her vast chateau. I heard not the least sound, I did not perceive the movement which the sufferer's breathing ought to have given to the sheets that covered her, and I stood motionless, absorbed in looking at her in a sort of stupor. In fancy I am there still. At last her large eyes moved; she tried to raise her right hand, but it fell back on the bed, and she uttered these words, which came like a breath, for her voice was no longer a voice: "I have waited for you with the greatest impatience." A bright flush rose to her cheeks. It was a great effort to her to speak.


La Grande Breteche