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Today's Stichomancy for Andrew Carnegie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Life of the Spider by J. Henri Fabre:

held between the fangs and is supported by the palpi, or feelers, which are little arms employed in the service of the mouth-parts. The Lycosa descends cautiously from her turret, goes to some distance to get rid of her burden and quickly dives down again to bring up more.

We have seen enough: we know that the Lycosa's fangs, those lethal weapons, are not afraid to bite into clay and gravel. They knead the excavated rubbish into pellets, take up the mass of earth and carry it outside. The rest follows naturally; it is the fangs that dig, delve and extract. How finely-tempered they must be, not to be blunted by this well-sinker's work and to do duty presently in


The Life of the Spider
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft:

not interfered with.

"If any slave, who shall be out of the house or plantation where such slave shall live, or shall be usually employed, or without some white person in company with such slave, shall REFUSE TO SUBMIT to undergo the examination of ANY WHITE person, (let him be ever so drunk or crazy), it shall be lawful for such white person to pursue, apprehend, and moderately correct such slave; and if such slave shall assault and strike such white person, such slave may be LAWFULLY KILLED."--2 Brevard's


Running a Thousand Miles for Freedom
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

outside. The carriage drive comes down the middle of the garden and then swerves to its left, where it ends in a little gravelled circus opposite the Rectory porch. Beyond the gate is seen the dusty high road, parallel with the wall, bounded on the farther side by a strip of turf and an unfenced pine wood. On the lawn, between the house and the drive, is a clipped yew tree, with a garden bench in its shade. On the opposite side the garden is shut in by a box hedge; and there is a little sundial on the turf, with an iron chair near it. A little path leads through the box hedge, behind the sundial.]

[Frank, seated on the chair near the sundial, on which he has

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tom Sawyer, Detective by Mark Twain:

Bill Withers and his brother Jack come along by, talking, and Jack says:

"What do you reckon he was toting?"

"I dunno; but it was pretty heavy."

"Yes, all he could lug. Nigger stealing corn from old Parson Silas, I judged."

"So did I. And so I allowed I wouldn't let on to see him."

"That's me, too."

Then they both laughed, and went on out of hearing. It showed how unpopular old Uncle Silas had got to be now. They wouldn't 'a' let a nigger steal anybody else's corn