| The first excerpt represents the past or something you must release, and is drawn from A Daughter of Eve by Honore de Balzac: would be coming in, there would be plenty of money in hand, and they
could then see what had best be done. Besides, couldn't Nathan write a
play? As a matter of pride Raoul determined to pay off the notes at
once. Du Tillet gave Raoul a letter to Gigonnet, who counted out the
money on a note of Nathan's at twenty days' sight. Instead of asking
himself the reason of such unusual facility, Raoul felt vexed at his
folly in not having asked for more. That is how men who are truly
remarkable for the power of thought are apt to behave in practical
business; they seem to reserve the power of their mind for their
writings, and are fearful of lessening it by putting it to use in the
daily affairs of life.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Maid Marian by Thomas Love Peacock: was proclaiming a reward to any one who would enter into the burning pile,
and elucidate the mystery of the doleful voice, forth waddled the little
fat friar in an agony of fear, out of the fire into the frying-pan;
for he was instantly taken into custody and carried before Prince John,
wringing his hands and tearing his hair.
"Are you the friar," said Prince John, in a terrible voice,
"that laid me prostrate in battle, mowed down my men like grass,
rescued my captive, and covered the retreat of my enemies?
And, not content with this, have you now set fire to the castle
in which I intended to take up my royal quarters?"
The little friar quaked like a jelly: he fell on his knees,
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The third excerpt represents the future or something you must embrace, and is drawn from Othello by William Shakespeare: One that excels the quirkes of Blazoning pens,
And in th' essentiall Vesture of Creation,
Do's tyre the Ingeniuer.
Enter Gentleman.
How now? Who ha's put in?
Gent. 'Tis one Iago, Auncient to the Generall
Cassio. Ha's had most fauourable, and happie speed:
Tempests themselues, high Seas, and howling windes,
The gutter'd-Rockes, and Congregated Sands,
Traitors ensteep'd, to enclogge the guiltlesse Keele,
As hauing sence of Beautie, do omit
Othello |
