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Today's Stichomancy for Andy Warhol

The first excerpt represents the past or something you must release, and is drawn from Faraday as a Discoverer by John Tyndall:

years of his life. I dare not say that he has been always successful in the treatment of these theoretic notions. In his speculations he mixes together light and darkness in varying proportions, and carries us along with him through strong alternations of both. It is impossible to say how a certain amount of mathematical training would have affected his work. We cannot say what its influence would have been upon that force of inspiration that urged him on; whether it would have daunted him, and prevented him from driving his adits into places where no theory pointed to a lode. If so, then we may rejoice that this strong delver at the mine of natural knowledge was left free to wield his

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Middlemarch by George Eliot:

had made part of his memorable debt, having lost money in betting, and been obliged to borrow of that gay companion. It was generally known in Middlemarch that a good deal of money was lost and won in this way; and the consequent repute of the Green Dragon as a place of dissipation naturally heightened in some quarters the temptation to go there. Probably its regular visitants, like the initiates of freemasonry, wished that there were something a little more tremendous to keep to themselves concerning it; but they were not a closed community, and many decent seniors as well as juniors occasionally turned into the billiard-room to see what was going on. Lydgate, who had the muscular aptitude for billiards, and was fond of the game, had once


Middlemarch
The third excerpt represents the future or something you must embrace, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

head like a hammer; his rusty mane and tail were tangled and knotted with burs; one eye had lost its pupil, and was glaring and spectral, but the other had the gleam of a genuine devil in it. Still he must have had fire and mettle in his day, if we may judge from the name he bore of Gunpowder. He had, in fact, been a favorite steed of his master's, the choleric Van Ripper, who was a furious rider, and had infused, very probably, some of his own spirit into the animal; for, old and broken-down as he looked, there was more of the lurking devil in him than in any young filly in the country.

Ichabod was a suitable figure for such a steed . He rode


The Legend of Sleepy Hollow