.
Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Andy Warhol

The first excerpt represents the past or something you must release, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther:

Commissarios cum omni reverentia admittere. 20. [70] Sed magis tenentur omnibus oculis intendere, omnibus auribus advertere, ne pro commissione Pape sua illi somnia predicent. 21. [71] Contra veniarum apostolicarum veritatem qui loquitur, sit ille anathema et maledictus.

22. [72] Qui vero, contra libidinem ac licentiam verborum Concionatoris veniarum curam agit, sit ille benedictus.

23. [73] Sicut Papa iuste fulminat eos, qui in fraudem negocii veniarum quacunque arte machinantur,

24. [74] Multomagnis fulminare intendit eos, qui per veniarum

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Man of Business by Honore de Balzac:

invented, a quite new shape. If Mlle. Amanda succeeds with it, she will say no more about the money, her fortune is made."

"In my opinion," put in Desroches, "the finest things that I have seen in a duel of this kind give those who know Paris a far better picture of the city than all the fancy portraits that they paint. Some of you think that you know a thing or two," he continued, glancing round at Nathan, Bixiou, La Palferine, and Lousteau, "but the king of the ground is a certain Count, now busy ranging himself. In his time, he was supposed to be the cleverest, adroitest, canniest, boldest, stoutest, most subtle and experienced of all the pirates, who, equipped with fine manners, yellow kid gloves, and cabs, have ever

The third excerpt represents the future or something you must embrace, and is drawn from Essays of Travel by Robert Louis Stevenson:

them but a look, a haunting expression; just that secret quality in a face that is apt to slip out somehow under the cunningest painter's touch, and leave the portrait dead for the lack of it. And if it is hard to catch with the finest of camel's-hair pencils, you may think how hopeless it must be to pursue after it with clumsy words. If I say, for instance, that this look, which I remember as Lizzie, was something wistful that seemed partly to come of slyness and in part of simplicity, and that I am inclined to imagine it had something to do with the daintiest suspicion of a cast in one of her large eyes, I shall have said all that I can, and the reader will not be much advanced towards comprehension. I had struck up an acquaintance with