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Today's Stichomancy for Antonio Banderas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twilight Land by Howard Pyle:

gaped and stared. Then the Demon began to drive the needle like a spark of fire--the like was never seen in all the seven kingdoms, for the clothes seemed to make themselves.

At last, at the end of a little while, the Demon stood up and brushed his hands. "They are done," said he, and thereupon he instantly vanished. But the Tailor cared little for that, for upon the bench there lay such a suit of clothes of silk and satin stuff, sewed with threads of gold and silver and set with jewels, as the eyes of man never saw before; and the Tailor packed them up and marched off with them himself to the prime-minister.

The prime-minister wore the clothes to court that very day, and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

exploitation involves, and the self-respect and social esteem which its success wins, effect an improvement in Alberic's own character which neither Marx nor Wagner appear to have foreseen. He discovers that to be a dull, greedy, narrow-minded money-grubber is not the way to make money on a large scale; for though greed may suffice to turn tens into hundreds and even hundreds into thousands, to turn thousands into hundreds of thousands requires magnanimity and a will to power rather than to pelf. And to turn thousands into millions, Alberic must make himself an earthly providence for masses of workmen: he must create towns and govern markets. In the meantime, Fafair,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Collection of Antiquities by Honore de Balzac:

whereas in the provinces systems are identified with men; men, moreover, with restless passions, who must always confront one another, always spy upon each other in private life, and pull their opponents' speeches to pieces, and live generally like two duelists on the watch for a chance to thrust six inches of steel between an antagonist's ribs. Each must do his best to get under his enemy's guard, and a political hatred becomes as all-absorbing as a duel to the death. Epigram and slander are used against individuals to bring the party into discredit.

In such warfare as this, waged ceremoniously and without rancor on the side of the Antiquities, while du Croisier's faction went so far as to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great God Pan by Arthur Machen:

and orchard, the fields of ripe corn, and the meadows reaching to the reed-beds by the river. You see me standing here beside you, and hear my voice; but I tell you that all these things -- yes, from that star that has just shone out in the sky to the solid ground beneath our feet--I say that all these are but dreams and shadows; the shadows that hide the real world from our eyes. There is a real world, but it is beyond this glamour and this vision, beyond these 'chases in Arras, dreams in a career,'beyond them all as beyond a veil. I do not know whether any human being has ever lifted that veil; but I do know, Clarke, that you and I shall see it lifted this very night from


The Great God Pan