| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moon-Face and Other Stories by Jack London: side-hill attracted his attention. Still lying on his stomach, he studied the
hill formation long and carefully. It was a practised eye that travelled up
the slope to the crumbling canyon-wall and back and down again to the edge of
the pool. He scrambled to his feet and favored the side-hill with a second
survey.
"Looks good to me," he concluded, picking up his pick and shovel and gold-pan.
He crossed the stream below the pool, stepping agilely from stone to stone.
Where the sidehill touched the water he dug up a shovelful of dirt and put it
into the gold-pan. He squatted down, holding the pan in his two hands, and
partly immersing it in the stream. Then he imparted to the pan a deft circular
motion that sent the water sluicing in and out through the dirt and gravel.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Euthyphro by Plato: be dear to another, and the same action may be both pious and impious; e.g.
your chastisement of your father, Euthyphro, may be dear or pleasing to
Zeus (who inflicted a similar chastisement on his own father), but not
equally pleasing to Cronos or Uranus (who suffered at the hands of their
sons).
Euthyphro answers that there is no difference of opinion, either among gods
or men, as to the propriety of punishing a murderer. Yes, rejoins
Socrates, when they know him to be a murderer; but you are assuming the
point at issue. If all the circumstances of the case are considered, are
you able to show that your father was guilty of murder, or that all the
gods are agreed in approving of our prosecution of him? And must you not
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