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Today's Stichomancy for Antonio Banderas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Robinson Crusoe by Daniel Defoe:

several years after.

After they were all gone, the Spaniards came out of their den, and viewing the field of battle, they found about two-and-thirty men dead on the spot; some were killed with long arrows, which were found sticking in their bodies; but most of them were killed with great wooden swords, sixteen or seventeen of which they found in the field of battle, and as many bows, with a great many arrows. These swords were strange, unwieldy things, and they must be very strong men that used them; most of those that were killed with them had their heads smashed to pieces, as we may say, or, as we call it in English, their brains knocked out, and several their arms and


Robinson Crusoe
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Russia in 1919 by Arthur Ransome:

time people from all parts of the hotel were coming with their pitchers and pans, from fine copper kettles to disreputable empty meat tins, to fetch hot water for tea. At the other side of the corridor was a sort of counter in front of a long window opening into yet another kitchen. Here there was a row of people waiting with their own saucepans and plates, getting their dinner allowances of soup and meat in exchange for tickets. I was told that people thought they got slightly more if they took their food in this way straight from the kitchen to their own rooms instead of being served in the restaurant. But I watched closely, and decided

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moon-Face and Other Stories by Jack London:

side-hill attracted his attention. Still lying on his stomach, he studied the hill formation long and carefully. It was a practised eye that travelled up the slope to the crumbling canyon-wall and back and down again to the edge of the pool. He scrambled to his feet and favored the side-hill with a second survey.

"Looks good to me," he concluded, picking up his pick and shovel and gold-pan.

He crossed the stream below the pool, stepping agilely from stone to stone. Where the sidehill touched the water he dug up a shovelful of dirt and put it into the gold-pan. He squatted down, holding the pan in his two hands, and partly immersing it in the stream. Then he imparted to the pan a deft circular motion that sent the water sluicing in and out through the dirt and gravel.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Euthyphro by Plato:

be dear to another, and the same action may be both pious and impious; e.g. your chastisement of your father, Euthyphro, may be dear or pleasing to Zeus (who inflicted a similar chastisement on his own father), but not equally pleasing to Cronos or Uranus (who suffered at the hands of their sons).

Euthyphro answers that there is no difference of opinion, either among gods or men, as to the propriety of punishing a murderer. Yes, rejoins Socrates, when they know him to be a murderer; but you are assuming the point at issue. If all the circumstances of the case are considered, are you able to show that your father was guilty of murder, or that all the gods are agreed in approving of our prosecution of him? And must you not