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Today's Stichomancy for Antonio Banderas

The first excerpt represents the past or something you must release, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

oscillating slowly downward. Some of them touched him on the face and hands, then fell away, continuing their descent. One lodged between his collar and neck; it was uncomfortably warm and he snatched it out.

As he rose to the surface, gasping for breath, he saw that he had been a long time under water; he was perceptibly farther downstream -- nearer to safety. The soldiers had almost finished reloading; the metal ramrods flashed all at once in the sunshine as they were drawn from the barrels, turned in the air, and thrust into their sockets. The two sentinels fired again, independently and ineffectually.


An Occurrence at Owl Creek Bridge
The second excerpt represents the present or the deciding factor of the moment, and is drawn from To-morrow by Joseph Conrad:

"All he has in the world is for you," she pleaded.

"Yes, if I come here to sit on it like a dam' toad in a hole. Thank you; and what about the shovel, eh? He always had a queer way of showing his love."

"I could bring him round in a week," she sug- gested, timidly.

He was too hungry to answer her; and, holding the plate submissively to his hand, she began to whisper up to him in a quick, panting voice. He


To-morrow
The third excerpt represents the future or something you must embrace, and is drawn from Ion by Plato:

painter was produced, went to sleep and was at a loss, and had no ideas; but when he had to give his opinion about Polygnotus, or whoever the painter might be, and about him only, woke up and was attentive and had plenty to say?

ION: No indeed, I have never known such a person.

SOCRATES: Or did you ever know of any one in sculpture, who was skilful in expounding the merits of Daedalus the son of Metion, or of Epeius the son of Panopeus, or of Theodorus the Samian, or of any individual sculptor; but when the works of sculptors in general were produced, was at a loss and went to sleep and had nothing to say?

ION: No indeed; no more than the other.