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Today's Stichomancy for Antonio Banderas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Hated Son by Honore de Balzac:

child's clothes be washed under her own eye and let her keep the key of the chest which contains them. Should anything happen to the child send instantly to me."

These instructions sank deep into Jeanne's heart. She begged Beauvouloir to regard her always as one who would do him any service in her power. On that the poor man told her that she held his happiness in her hands.

Then he related briefly how the Comte d'Herouville had in his youth loved a courtesan, known by the name of La Belle Romaine, who had formerly belonged to the Cardinal of Lorraine. Abandoned by the count before very long, she had died miserably, leaving a child named

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

- Here suffering virtue ever finds relief, And black-browed ruffians always come to grief, - When the lorn damsel, with a frantic screech, And cheeks as hueless as a brandy-peach, Cries, "Help, kyind Heaven!" and drops upon her knees On the green - baize, - beneath the (canvas) trees,- See to her side avenging Valor fly:- "Ha! Villain! Draw! Now, Terraitorr, yield or die!" - When the poor hero flounders in despair, Some dear lost uncle turns up millionnaire, - Clasps the young scapegrace with paternal joy,

The Autocrat of the Breakfast-Table
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Parmenides by Plato:

many, but also what will be the consequences to the one and the many in their relation to themselves and to each other, on the opposite hypothesis. Or, again, if likeness is or is not, what will be the consequences in either of these cases to the subjects of the hypothesis, and to other things, in relation both to themselves and to one another, and so of unlikeness; and the same holds good of motion and rest, of generation and destruction, and even of being and not-being. In a word, when you suppose anything to be or not to be, or to be in any way affected, you must look at the consequences in relation to the thing itself, and to any other things which you choose,--to each of them singly, to more than one, and to all; and so of other things, you must look at them in relation to themselves and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Art of Writing by Robert Louis Stevenson:

Among other collections were all the papers of the Durrisdeers.'

'The Durrisdeers!' cried I. 'My dear fellow, these may be of the greatest interest. One of them was out in the '45; one had some strange passages with the devil - you will find a note of it in Law's MEMORIALS, I think; and there was an unexplained tragedy, I know not what, much later, about a hundred years ago - '

'More than a hundred years ago,' said Mr. Thomson. 'In 1783.'

'How do you know that? I mean some death.'