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Today's Stichomancy for Antonio Banderas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from My Bondage and My Freedom by Frederick Douglass:

for rights which are personal and essential. Not a few there are in our country, who, while they have no scruples against robbing the laborer of the hard earned results of his patient industry, will be shocked by the extremely indelicate manner of bringing your name before the public. Believing this to be the case, and wishing to meet every reasonable or plausible objection to my conduct, I will frankly state the ground upon which I justfy{sic} myself in this instance, as well as on former occasions when I have thought proper to mention your name in public. All will agree that a man guilty of theft, robbery, or murder, has forfeited the right to concealment and private life; that the


My Bondage and My Freedom
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anna Karenina by Leo Tolstoy:

carte Blanche. I'm not going to offer you my protection . . . though, indeed, why shouldn't I protect you?--you've protected me often enough! I should hope our friendship rises above all that sort of thing. Yes," he said, smiling to him as tenderly as a woman, "give me carte blanche, retire from the regiment, and I'll draw you upwards imperceptibly."

"But you must understand that I want nothing," said Vronsky, "except that all should be as it is."

Serpubovskoy got up and stood facing him.

"You say that all should be as it is. I understand what that means. But listen: we're the same age, you've known a greater


Anna Karenina
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Fables by Robert Louis Stevenson:

days. But now is my turn not yet come; and I wait until you have a wife, and then shall I be in your son, and a brave part of him, rejoicing manfully to launch the boat into the surf, skilful to direct the helm, and a man of might where the ring closes and the blows are going."

"This is a marvellous thing to hear," said the man; "and if you are indeed to be my son, I fear it will go ill with you; for I am bitter poor in goods and bitter ugly in face, and I shall never get me a wife if I live to the age of eagles."

"All this hate I come to remedy, my Father," said the Poor Thing; "for we must go this night to the little isle of sheep, where our

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Night and Day by Virginia Woolf:

of the impersonal life for herself. The thought of her morning's renunciation stung her conscience, and she tried to expand once more into that impersonal condition which was so lofty and so painless. She must check this desire to be an individual again, whose wishes were in conflict with those of other people. She repented of her bitterness.

Katharine now renewed her signs of leave-taking; she had drawn on one of her gloves, and looked about her as if in search of some trivial saying to end with. Wasn't there some picture, or clock, or chest of drawers which might be singled out for notice? something peaceable and friendly to end the uncomfortable interview? The green-shaded lamp burnt in the corner, and illumined books and pens and blotting-paper.