Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Aretha Franklin

The first excerpt represents the past or something you must release, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

and jingling of my clothes terrified me into immobility. The house was only two hundred yards off; and if any one had been about, the noise I had already made opening the creaking door and so foolishly apostrophising my handkerchief must have been noticed. Suppose an inquiring gardener, or a <76> restless cousin, should presently loom through the fog, bearing down upon me? Suppose Fraulein Wundermacher should pounce upon me suddenly from behind, coming up noiselessly in her galoshes, and shatter my castles with her customary triumphant "Fetzt halte ich dich aber fest!" Why, what was I thinking of? Fraulein Wundermacher, so big and masterful, such an enemy


Elizabeth and her German Garden
The second excerpt represents the present or the deciding factor of the moment, and is drawn from King Lear by William Shakespeare:

To his great master; who, thereat enrag'd, Flew on him, and amongst them fell'd him dead; But not without that harmful stroke which since Hath pluck'd him after. Alb. This shows you are above, You justicers, that these our nether crimes So speedily can venge! But O poor Gloucester! Lose he his other eye? Gent. Both, both, my lord. This letter, madam, craves a speedy answer. 'Tis from your sister.


King Lear
The third excerpt represents the future or something you must embrace, and is drawn from Life in the Iron-Mills by Rebecca Davis:

covered; silent, with foreign thoughts and longings breaking out through his quietness in innumerable curious ways: this one, for instance. In the neighboring furnace-buildings lay great heaps of the refuse from the ore after the pig-metal is run. Korl we call it here: a light, porous substance, of a delicate, waxen, flesh-colored tinge. Out of the blocks of this korl, Wolfe, in his off-hours from the furnace, had a habit of chipping and moulding figures,--hideous, fantastic enough, but sometimes strangely beautiful: even the mill-men saw that, while they jeered at him. It was a curious fancy in the man, almost a passion. The few hours for rest he spent hewing and


Life in the Iron-Mills