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Today's Stichomancy for Aretha Franklin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll:

When girls may be ENGAGING, but they somehow don't ENGAGE.

Five dressy girls, of Thirty-one or more: So gracious to the shy young men they snubbed so much before!

* * * *

Five PASSE girls - Their age? Well, never mind! We jog along together, like the rest of human kind: But the quondam "careless bachelor" begins to think he knows The answer to that ancient problem "how the money goes"!

POETA FIT, NON NASCITUR

"How shall I be a poet? How shall I write in rhyme?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Glasses by Henry James:

gone under pressure of the season into a great shop to buy a toy or two, my eyes fleeing from superfluity, lighted at a distance on the bright concretion of Flora Saunt, an exhibitability that held its own even against the most plausible pinkness of the most developed dolls. A huge quarter of the place, the biggest bazaar "on earth," was peopled with these and other effigies and fantasies, as well as with purchasers and vendors haggard alike, in the blaze of the gas, with hesitations. I was just about to appeal to Flora to avert that stage of my errand when I saw that she was accompanied by a gentleman whose identity, though more than a year had elapsed, came back to me from the Folkestone cliff. It had been associated on

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Professor by Charlotte Bronte:

she folds him to her breast, or takes him to walk with her alone in the wood; then she reasons with him like any philosopher, and to reason Victor is ever accessible; then she looks at him with eyes of love, and by love Victor can be infallibly subjugated; but will reason or love be the weapons with which in future the world will meet his violence? Oh, no! for that flash in his black eye--for that cloud on his bony brow--for that compression of his statuesque lips, the lad will some day get blows instead of blandishments--kicks instead of kisses; then for the fit of mute fury which will sicken his body and madden his soul; then for the ordeal of merited and salutary suffering, out of which he


The Professor
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Emma McChesney & Co. by Edna Ferber:

lean, sensitive fingers of one who creates, shivered a little, like a plant that is swept by an icy blast. Buck came over and laid one hand on his wife's shaking shoulder.

"Emma, you're overtired! This--this thing you've been slaving over has been too much for you."

With one hand, Emma reached up and patted the fingers that rested protectingly on her shoulder. With the other, she wiped her eyes, then, all contrition, grasped the slender brown hand of the offended Koritz.

"Bennie, please forgive me! I--I didn't mean to laugh. I wasn't laughing at your new skirt."


Emma McChesney & Co.