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Today's Stichomancy for Aretha Franklin

The first excerpt represents the past or something you must release, and is drawn from The United States Bill of Rights:

nor be deprived of life, liberty, or property, without due process of law; nor shall private property be taken for public use without just compensation.

VI

In all criminal prosecutions, the accused shall enjoy the right to a speedy and public trial, by an impartial jury of the State and district wherein the crime shall have been committed, which district shall have been previously ascertained by law, and to be informed of the nature and cause of the accusation; to be confronted with the witnesses against him; to have compulsory process for obtaining witnesses in his favor, and to have the assistance of counsel for his defense.

VII

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Riders of the Purple Sage by Zane Grey:

it a keen-edged curiosity to watch developments. She had a half-formed conviction that her future conduct--as related to her churchmen--was beyond her control and would be governed by their attitude toward her. Something was changing in her, forming, waiting for decision to make it a real and fixed thing. She had told Lassiter that she felt helpless and lost in the fateful tangle of their lives; and now she feared that she was approaching the same chaotic condition of mind in regard to her religion. It appalled her to find that she questioned phases of that religion. Absolute faith had been her serenity. Though leaving her faith unshaken, her serenity had been disturbed, and


Riders of the Purple Sage
The third excerpt represents the future or something you must embrace, and is drawn from Ferragus by Honore de Balzac:

graves, and also on his records. He has under him keepers, gardeners, grave-diggers, and their assistants. He is a personage. Mourning hearts do not speak to him at first. He does not appear at all except in serious cases, such as one corpse mistaken for another, a murdered body, an exhumation, a dead man coming to life. The bust of the reigning king is in his hall; possibly he keeps the late royal, imperial, and quasi-royal busts in some cupboard,--a sort of little Pere-Lachaise all ready for revolutions. In short, he is a public man, an excellent man, good husband and good father,--epitaph apart. But so many diverse sentiments have passed before him on biers; he has seen so many tears, true and false; he has beheld sorrow under so many


Ferragus