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Today's Stichomancy for Aretha Franklin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Great Big Treasury of Beatrix Potter by Beatrix Potter:

He scrambled out on the first bank he came to, and he hopped home across the meadow with his mackintosh all in tatters.

"What a mercy that was not a pike!" said Mr. Jeremy Fisher. "I have lost my rod and basket; but it does not much matter, for I am sure I should never have dared to go fishing again!"

He put some sticking plaster on his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Duty of Civil Disobedience by Henry David Thoreau:

treated my as if I were mere flesh and blood and bones, to be locked up. I wondered that it should have concluded at length that this was the best use it could put me to, and had never thought to avail itself of my services in some way. I saw that, if there was a wall of stone between me and my townsmen, there was a still more difficult one to climb or break through before they could get to be as free as I was. I did nor for a moment feel confined, and the walls seemed a great waste of stone and mortar. I felt as if I alone of all my townsmen had paid my tax. They plainly did not know how to treat me, but behaved like persons who


On the Duty of Civil Disobedience
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Timaeus by Plato:

associations of mythology and poetry have to be added, and the unconscious influence of science has to be subtracted, before we can behold the heavens or the earth as they appeared to the Greek. The philosopher himself was a child and also a man--a child in the range of his attainments, but also a great intelligence having an insight into nature, and often anticipations of the truth. He was full of original thoughts, and yet liable to be imposed upon by the most obvious fallacies. He occasionally confused numbers with ideas, and atoms with numbers; his a priori notions were out of all proportion to his experience. He was ready to explain the phenomena of the heavens by the most trivial analogies of earth. The experiments which nature worked for him he sometimes accepted, but he never tried

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Duchesse de Langeais by Honore de Balzac:

perpetual enjoyment, which turned her head. She was daring enough in conversation; she would listen to anything, corrupting the surface, as it were, of her heart. Yet when she returned home, she often blushed at the story that had made her laugh; at the scandalous tale that supplied the details, on the strength of which she analysed the love that she had never known, and marked the subtle distinctions of modern passion, not with comment on the part of complacent hypocrites. For women know how to say everything among themselves, and more of them are ruined by each other than corrupted by men.

There came a moment when she discerned that not until a woman is