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Today's Stichomancy for Aretha Franklin

The first excerpt represents the past or something you must release, and is drawn from Four Arthurian Romances by Chretien DeTroyes:

city, some on foot and some on horseback, until they bring him to the imperial palace. No words can ever tell the joy and honour and courteous service that were there displayed. But each one strove as best he might to do everything which he thought would please and gratify Cliges. And his uncle hands over to him all his possessions, except the crown: he wishes him to gratify his pleasure fully, and to take all he desires of his wealth, either in the form of land or treasure. But he has no care for silver or gold, so long as he dares not reveal his thoughts to her because of whom he can find no repose; and yet he has plenty of time and opportunity to speak, if he were not afraid of being

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Heap O' Livin' by Edgar A. Guest:

For the sake of the skill we may gain, And in giving up comfort or leisure For the joy that we hope to attain.

It's the hard road of trying and learning, Of toiling, uncheered and alone, That wins us the prizes worth earning, And leads us to goals we would own.


When an apple tree is ready for the world to come and eat, There isn't any structure in the land that's

A Heap O' Livin'
The third excerpt represents the future or something you must embrace, and is drawn from Resurrection by Leo Tolstoy:

joyful hymns, "Behold the Passover of the Lord" "Rejoice, O ye people!" All--all that was good in the world was for her. And it seemed to him that Katusha was aware that it was all for her when he looked at her well-shaped figure, the tucked white dress, the wrapt, joyous expression of her face, by which he knew that just exactly the same that was singing in his own soul was also singing in hers.

In the interval between the early and the late mass Nekhludoff left the church. The people stood aside to let him pass, and bowed. Some knew him; others asked who he was.

He stopped on the steps. The beggars standing there came