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Today's Stichomancy for Ariel Sharon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Walking by Henry David Thoreau:

too late to be studying Hebrew; it is more important to understand even the slang of today.

Some months ago I went to see a panorama of the Rhine. It was like a dream of the Middle Ages. I floated down its historic stream in something more than imagination, under bridges built by the Romans, and repaired by later heroes, past cities and castles whose very names were music to my ears, and each of which was the subject of a legend. There were Ehrenbreitstein and Rolandseck and Coblentz, which I knew only in history. They were ruins that interested me chiefly. There seemed to come up from its waters and its vine-clad hills and valleys a hushed music as of


Walking
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

"And she had been shot through the heart."

He stopped and stared at me. I felt all that foolish incapacity an Englishman feels on such occasions. I met his eyes for a moment, and then stared out of the window. For a long space we kept silence. When at last I looked at him he was sitting back in his corner, his arms folded, and his teeth gnawing at his knuckles.

He bit his nail suddenly, and stared at it.

"I carried her," he said, "towards the temples, in my arms--as though it mattered. I don't know why. They seemed a sort of sanctuary, you know, they had lasted so long, I suppose.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Royalty Restored/London Under Charles II by J. Fitzgerald Molloy:

And, accordingly, there were abundance of those silken back, breast, and headpots made and sold, that were pretended to be pistol proof; in which any man dressed up was as safe as in a house, for it was impossible anyone could go to strike him for laughing; so ridiculous was the figure, as they say, of hogs in armour. This was the armour of defence; but our sparks were not altogether so tame as to carry their provision no further, for truly they intended to be assailants upon fair occasion, and had for that end recommended also to them a certain pocket weapon, which for its design and efficacy had the honour to be called a protestant flail. It was for street and crowd work; and the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Black Arrow by Robert Louis Stevenson:

already giving hot pursuit.

"The taller of these twain was Lady Brackley," he thought; "and where Lady Brackley is, Joan will not be far."

At the door of the house the four men-at-arms had ceased to follow, and the ladies were now mounting the stairway of polished oak, under no better escort than that of the two waiting-women. Dick followed close behind. It was already the dusk of the day; and in the house the darkness of the night had almost come. On the stair- landings, torches flared in iron holders; down the long, tapestried corridors, a lamp burned by every door. And where the door stood open, Dick could look in upon arras-covered walls and rush-