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Today's Stichomancy for Ariel Sharon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from End of the Tether by Joseph Conrad:

At last he would lock up the desk with the decision of unshaken confidence, jump and go out. He would walk swiftly back and forth on that part of the foredeck which was kept clear of the lumber and of the bodies of the native passengers. They were a great nuisance, but they were also a source of profit that could not be dis- dained. He needed every penny of profit the Sofala could make. Little enough it was, in all conscience! The incertitude of chance gave him no concern, since he had somehow arrived at the conviction that, in the course of years, every number was bound to have his


End of the Tether
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

woe, but the next she came to herself very quiet, and took the horse and wagon, and drove fourteen miles to the lawyer's, and signed a paper givin' her half of the farm to her brother. They never had got along very well together, but he didn't want to sign it, till she acted so distressed that he gave in. Edward Todd's wife was a good woman, who felt very bad indeed, and used every argument with Joanna; but Joanna took a poor old boat that had been her father's and lo'ded in a few things, and off she put all alone, with a good land breeze, right out to sea. Edward Todd ran down to the beach, an' stood there cryin' like a boy to see her go, but she was out o' hearin'. She never stepped foot on the mainland

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Riders of the Purple Sage by Zane Grey:

he slipped them round so that his coat hid them. Then he fell to swift action. Jane Withersteen watched him, fascinated but uncomprehending and she saw him rapidly saddle Black Star and Night. Then he drew her into the light of the huge windows, standing over her, gripping her arm with fingers like cold steel.

"Yes, Jane, it's ended--but you're not goin' to Dyer!...I'm goin' instead!"

Looking at him--he was so terrible of aspect--she could not comprehend his words. Who was this man with the face gray as death, with eyes that would have made her shriek had she the strength, with the strange, ruthlessly bitter lips? Where was the


Riders of the Purple Sage
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

they were of rich and sober fabric, were enormously too large for him in every measurement--the trousers hanging on his legs and rolled up to keep them from the ground, the waist of the coat below his haunches, and the collar sprawling wide upon his shoulders. Strange to relate, this ludicrous accoutrement was far from moving me to laughter. Rather, as there was something abnormal and misbegotten in the very essence of the creature that now faced me--something seizing, surprising and revolting-- this fresh disparity seemed but to fit in with and to reinforce it; so that to my interest in the man's nature and character, there was added a curiosity as to his origin, his life, his


The Strange Case of Dr. Jekyll and Mr. Hyde