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Today's Stichomancy for Arnold Schwarzenegger

The first excerpt represents the past or something you must release, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

door of this coalhole was opened a violent whiff of alcohol mingled with the scent of stale cooking in the lodge, as well as with the penetrating scent of the flowers upon the table.

"Well now," continued the portress when she had served the supers, "is it the little dark chap out there you want?"

"No, no; don't be silly!" said Simonne. "It's the lanky one by the side of the stove. Your cat's sniffing at his trouser legs!"

And with that she carried La Faloise off into the lobby, while the other gentlemen once more resigned themselves to their fate and to semisuffocation and the masqueraders drank on the stairs and indulged in rough horseplay and guttural drunken jests.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Paradise Lost by John Milton:

Than what this garden is to all the earth, And all the sea, from one entire globose Stretched into longitude; which having passed, At length into the limits of the north They came; and Satan to his royal seat High on a hill, far blazing, as a mount Raised on a mount, with pyramids and towers From diamond quarries hewn, and rocks of gold; The palace of great Lucifer, (so call That structure in the dialect of men Interpreted,) which not long after, he


Paradise Lost
The third excerpt represents the future or something you must embrace, and is drawn from The Black Tulip by Alexandre Dumas:

"Therefore, he who despises the tulip offends God beyond measure."

By reasoning of this kind, it can be seen that the four or five thousand tulip-growers of Holland, France, and Portugal, leaving out those of Ceylon and China and the Indies, might, if so disposed, put the whole world under the ban, and condemn as schismatics and heretics and deserving of death the several hundred millions of mankind whose hopes of salvation were not centred upon the tulip.

We cannot doubt that in such a cause Boxtel, though he was Van Baerle's deadly foe, would have marched under the same


The Black Tulip