| The first excerpt represents the past or something you must release, and is drawn from Puck of Pook's Hill by Rudyard Kipling: stiff-necked, extravagant set of idols, the Old Things. But
what was the result? Men don't like being sacrificed at the
best of times; they don't even like sacrificing their farm-
horses. After a while, men simply left the Old Things
alone, and the roofs of their temples fell in, and the Old
Things had to scuttle out and pick up a living as they
could. Some of them took to hanging about trees, and
hiding in graves and groaning o' nights. If they groaned
loud enough and long enough they might frighten a poor
countryman into sacrificing a hen, or leaving a pound
of butter for them. I remember one Goddess called
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Eryxias by Platonic Imitator: earnestly entreat the Gods to grant you good things, although you know not
whether they can yield your request, it is as though you went to the doors
of the grammarian and begged him, although you had never made a study of
the art, to give you a knowledge of grammar which would enable you
forthwith to do the business of a grammarian.
While I was speaking, Prodicus was preparing to retaliate upon his youthful
assailant, intending to employ the argument of which you have just made
use; for he was annoyed to have it supposed that he offered a vain prayer
to the Gods. But the master of the gymnasium came to him and begged him to
leave because he was teaching the youths doctrines which were unsuited to
them, and therefore bad for them.
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The third excerpt represents the future or something you must embrace, and is drawn from The Commission in Lunacy by Honore de Balzac: curls, which emphasized the rather long oval of her face; but an oval
face is as majestic as a round one is ignoble. The mirrors, cut with
facets to lengthen or flatten the face at will, amply proved the rule
as applied to the physiognomy.
On seeing Popinot, who stood in the doorway craning his neck like a
startled animal, with his left hand in his pocket, and the right hand
holding a hat with a greasy lining, the Marquise gave Rastignac a look
wherein lay a germ of mockery. The good man's rather foolish
appearance was so completely in harmony with his grotesque figure and
scared looks, that Rastignac, catching sight of Bianchon's dejected
expression of humiliation through his uncle, could not help laughing,
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