The first excerpt represents the past or something you must release, and is drawn from Songs of Innocence and Experience by William Blake: Are but a cloud, and like a shady grove.
'For, when our souls have learned the heat to bear,
The cloud will vanish, we shall hear His voice,
Saying, "Come out from the grove, my love and care,
And round my golden tent like lambs rejoice."'
Thus did my mother say, and kissed me,
And thus I say to little English boy.
When I from black, and he from white cloud free,
And round the tent of God like lambs we joy,
I'll shade him from the heat till he can bear
To lean in joy upon our Father's knee;
 Songs of Innocence and Experience |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton: street-cleaners, the ash-cart drivers, and the other dingy
workers flitting hurriedly by through the sallow winter light.
Oh, to be one of them--any of them--to take his chance in any of
their skins! They were the toilers--the men whose lot was
pitied--the victims wept over and ranted about by altruists and
economists; and how gladly he would have taken up the load of any
one of them, if only he might have shaken off his own! But, no--
the iron circle of consciousness held them too: each one was
hand-cuffed to his own hideous ego. Why wish to be any one man
rather than another? The only absolute good was not to be . . .
And Flint, coming in to draw his bath, would ask if he preferred
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The third excerpt represents the future or something you must embrace, and is drawn from Through the Looking-Glass by Lewis Carroll: she said it as heartily as she could. They went on a little way
in silence after this, the Knight with his eyes shut, muttering
to himself, and Alice watching anxiously for the next tumble.
`The great art of riding,' the Knight suddenly began in a loud
voice, waving his right arm as he spoke, `is to keep--' Here
the sentence ended as suddenly as it had begun, as the Knight
fell heavily on the top of his head exactly in the path where
Alice was walking. She was quite frightened this time, and said
in an anxious tone, as she picked him up, `I hope no bones are broken?'
`None to speak of,' the Knight said, as if he didn't mind breaking
two or three of them. `The great art of riding, as I was saying,
 Through the Looking-Glass |