| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lysis by Plato: poem in which he described the entertainment of Heracles, who was a
connexion of the family, setting forth how in virtue of this relationship
he was hospitably received by an ancestor of Lysis; this ancestor was
himself begotten of Zeus by the daughter of the founder of the deme. And
these are the sort of old wives' tales which he sings and recites to us,
and we are obliged to listen to him.
When I heard this, I said: O ridiculous Hippothales! how can you be making
and singing hymns in honour of yourself before you have won?
But my songs and verses, he said, are not in honour of myself, Socrates.
You think not? I said.
Nay, but what do you think? he replied.
Lysis |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pathology of Lying, Etc. by William and Mary Healy: His method of going about begging was unreasonable; he gained so
little by it. His tendency to untruthfulness stood out
everywhere. He imitated the pious as he chattered without aim.
The man had lived himself into the role of a cloister brother so
completely that he was not clearly conscious of the deceit. The
author thinks the case presents some paranoiac features with a
pathological tendency towards lying. Thus this pathological liar
presents the phenomenon of a mixture of lies and delusions.
From the Zurich clinic of Forel several cases of pathological
swindling have been reported at length.[20] It must be confessed
that the success of much of the misrepresentation cited in these
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Les Miserables by Victor Hugo: At that moment, a ragged child who was coming down through the
Rue Menilmontant, holding in his hand a branch of blossoming laburnum
which he had just plucked on the heights of Belleville, caught sight of
an old holster-pistol in the show-window of a bric-a-brac merchant's shop.
"Mother What's-your-name, I'm going to borrow your machine."
And off he ran with the pistol.
Two minutes later, a flood of frightened bourgeois who were fleeing
through the Rue Amelot and the Rue Basse, encountered the lad
brandishing his pistol and singing:--
La nuit on ne voit rien,
Le jour on voit tres bien,
Les Miserables |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Charmides and Other Poems by Oscar Wilde: Sat at his side, and laughed at her new toy,
And held his hand, and sang her sweetest song,
Then frowned to see how froward was the boy
Who would not with her maidenhood entwine,
Nor knew that three days since his eyes had looked on Proserpine;
Nor knew what sacrilege his lips had done,
But said, 'He will awake, I know him well,
He will awake at evening when the sun
Hangs his red shield on Corinth's citadel;
This sleep is but a cruel treachery
To make me love him more, and in some cavern of the sea
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