The first excerpt represents the past or something you must release, and is drawn from Pathology of Lying, Etc. by William and Mary Healy: this as a case of constitutional psychosis. When older,
pseudologia phantastica controlled him; it was like hypnotic
influence, his dreams of wealth were like paranoia. His hypnotic
condition grew to such an extent that there was an interruption
of consciousness with following amnesia.
[15]``Beitrage zur Kenntnisse der Pseudologin phantastica.''
Viertel-jahrschrift fur gerichtliche Medicin und offentliches
Sanitatswesen, 1904 Bd. XXVII; pp. 189-242.
Henneberg[16] cites another case of a highly educated young man
who told wonderful stories in childhood and later obtained money
under false pretenses with elaborate deception. From an
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Bucky O'Connor by William MacLeod Raine: if it came to that.
And at this inopportune moment the key turned harshly and the
door swung open.
CHAPTER 12. A CLEAN WHITE MAN'S OPTION
The light of a lantern coming down the steps blinded them for a
moment. Behind the lantern peered the yellow face of the turnkey.
"Ho, there, Americano! They want you up above," the man said.
"The generals, and the colonels, and the captains want a little
talk with you before they hang you, senor."
The two soldiers behind the fellow cackled merrily at his wit,
and the encouraged turnkey tried again.
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The third excerpt represents the future or something you must embrace, and is drawn from The Octopus by Frank Norris: and who told you you could take that buckskin? And the sheep
were all over the right of way last night because of that break,
and here that filthy pip, S. Behrman, comes down here this
morning and wants to make trouble for me." Suddenly he cried
out, "What do I FEED you for? What do I keep you around here
for? Think it's just to fatten up your carcass, hey?"
"Why, Mr. Annixter----" began Delaney.
"And don't TALK to me," vociferated the other, exciting himself
with his own noise. "Don't you say a word to me even to
apologise. If I've spoken to you once about that break, I've
spoken fifty times."
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