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Today's Stichomancy for Arthur E. Waite

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Woodlanders by Thomas Hardy:

a piece of live statuary, and listened deferentially as she said, "Will you then reconsider, and cancel the bond which poor Grammer Oliver so foolishly gave?"

"I'll cancel it without reconsideration. Though you will allow me to have my own opinion about her foolishness. Grammer is a very wise woman, and she was as wise in that as in other things. You think there was something very fiendish in the compact, do you not, Miss Melbury? But remember that the most eminent of our surgeons in past times have entered into such agreements."

"Not fiendish--strange."

"Yes, that may be, since strangeness is not in the nature of a


The Woodlanders
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sophist by Plato:

which thus arises in the region of thought and in speech.

THEAETETUS: That is quite true.

STRANGER: And where there is falsehood surely there must be deceit.

THEAETETUS: Yes.

STRANGER: And if there is deceit, then all things must be full of idols and images and fancies.

THEAETETUS: To be sure.

STRANGER: Into that region the Sophist, as we said, made his escape, and, when he had got there, denied the very possibility of falsehood; no one, he argued, either conceived or uttered falsehood, inasmuch as not-being did not in any way partake of being.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tales of the Klondyke by Jack London:

stands girt in and unrelated. The seams were deep-graven, more like scars, while the stern features were in no way softened by hints of sympathy or humor. Under prominent bushy brows the eyes shone cold and gray. The cheekbones, high and forbidding, were undermined by deep hollows. The chin and jaw displayed a steadiness of purpose which the narrow forehead advertised as single, and, if needs be, pitiless. Everything was harsh, the nose, the lips, the voice, the lines about the mouth. It was the face of one who communed much with himself, unused to seeking counsel from the world; the face of one who wrestled oft of nights with angels, and rose to face the day with shut lips that no man

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

ones; it was worse still to be sent to sit with a boy, but that that boy should be Gilbert Blythe was heaping insult on injury to a degree utterly unbearable. Anne felt that she could not bear it and it would be of no use to try. Her whole being seethed with shame and anger and humiliation.

At first the other scholars looked and whispered and giggled and nudged. But as Anne never lifted her head and as Gilbert worked fractions as if his whole soul was absorbed in them and them only, they soon returned to their own tasks and Anne was forgotten. When Mr. Phillips called the history class out Anne should have gone, but Anne did not move, and Mr. Phillips, who had been


Anne of Green Gables