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Today's Stichomancy for Arthur E. Waite

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

"Thus I spoke to my soul as I listened to that music. What was this new thing that I thus learned? That I did not realize, but the consciousness of this indefinite state filled me with joy. In that state there was no room for jealousy. The same faces, and among them HE and my wife, I saw in a different light. This music transported me into an unknown world, where there was no room for jealousy. Jealousy and the feelings that provoke it seemed to me trivialities, nor worth thinking of.

"After the presto followed the andante, not very new, with commonplace variations, and the feeble finale. Then they played more, at the request of the guests,--first an elegy by Ernst, and

The Kreutzer Sonata
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from King James Bible:

PHI 1:26 That your rejoicing may be more abundant in Jesus Christ for me by my coming to you again.

PHI 1:27 Only let your conversation be as it becometh the gospel of Christ: that whether I come and see you, or else be absent, I may hear of your affairs, that ye stand fast in one spirit, with one mind striving together for the faith of the gospel;

PHI 1:28 And in nothing terrified by your adversaries: which is to them an evident token of perdition, but to you of salvation, and that of God.

PHI 1:29 For unto you it is given in the behalf of Christ, not only to believe on him, but also to suffer for his sake;

PHI 1:30 Having the same conflict which ye saw in me, and now hear to

King James Bible
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Z. Marcas by Honore de Balzac:

fellow-lodger, and we never heard a sound in his room, in spite of the thinness of the partition that divided us--one of those walls of lath and plaster which are common in Paris houses.

Our room, a little over seven feet high, was hung with a vile cheap paper sprigged with blue. The floor was painted, and knew nothing of the polish given by the /frotteur's/ brush. By our beds there was only a scrap of thin carpet. The chimney opened immediately to the roof, and smoked so abominably that we were obliged to provide a stove at our own expense. Our beds were mere painted wooden cribs like those in schools; on the chimney shelf there were but two brass candlesticks, with or without tallow candles in them, and our two pipes with some

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Research Magnificent by H. G. Wells:

as she had always done? This thinking about everything! She had never thought about anything in all her life for more than half an hour--and it had always turned out remarkably well.

Benham felt baffled. There was a pause. How on earth could he go on telling her his ideas if this was how they were to be taken?

"I wish sometimes," his mother said abruptly, with an unusually sharp note in her voice, "that you wouldn't look quite so like your father."

"But I'm NOT like my father!" said Benham puzzled.

"No," she insisted, and with an air of appealing to his soberer reason, "so why should you go LOOKING like him? That CONCERNED