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Today's Stichomancy for Ashton Kutcher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from At the Earth's Core by Edgar Rice Burroughs:

should be black with primeval warriors. But nothing of the kind happened--as a matter of fact the Sly One had betrayed us. At the moment that we expected to see Sarian spearmen charging to our relief at Hooja's back, the craven traitor was sneaking around the outskirts of the nearest Sarian village, that he might come up from the other side when it was too late to save us, claiming that he had become lost among the mountains.

Hooja still harbored ill will against me because of the blow I had struck in Dian's protection, and his malevolent spirit was equal to sacrificing us all that he might be revenged upon me.

At the Earth's Core
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Madam How and Lady Why by Charles Kingsley:

Yorkshire--unfathomable pits in the green turf, in which you may hear the water tinkling and trickling far, far underground.

And now, before we go a step farther, you may understand, why the bones of animals are so often found in limestone caves. Down such swallow-holes how many beasts must fall: either in hurry and fright, when hunted by lions and bears and such cruel beasts; or more often still in time of snow, when the holes are covered with drift; or, again, if they died on the open hill-sides, their bones might be washed in, in floods, along with mud and stones, and buried with them in the cave below; and beside that, lions and bears and hyaenas might live in the caves below, as we know they

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ruling Passion by Henry van Dyke:

willing to fight or to suffer for it.

When the time arrived to kindle the light again in the spring, Fortin could have had any one that he wanted to help him. But no; he chose the little Marcel again; the boy wanted to go, and he had earned the right. Besides, he and Nataline had struck up a close friendship on the island, cemented during the winter by various hunting excursions after hares and ptarmigan. Marcel was a skilful setter of snares. But Nataline was not content until she had won consent to borrow her father's CARABINE. They hunted in partnership. One day they had shot a fox. That is, Nataline had shot it, though Marcel had seen it first and tracked it. Now they

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moon-Face and Other Stories by Jack London:

And furthermore, you may ride her yourself. You know what Ban can do; so you must ride Dolly and see for yourself what she can do."

They proceeded to exchange the saddles on the horses, glad of the diversion and making the most of it.

"I'm glad I was born in California," Lute remarked, as she swung astride of Ban. "It's an outrage both to horse and woman to ride in a sidesaddle."

"You look like a young Amazon," the man said approvingly, his eyes passing tenderly over the girl as she swung the horse around.

"Are you ready?" she asked.

"All ready!"

"To the old mill," she called, as the horses sprang forward. "That's less than