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Today's Stichomancy for Ashton Kutcher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Aeneid by Virgil:

With joy they view the waving ensigns fly, And hear the trumpet's clangor pierce the sky. Five cities forge their arms: th' Atinian pow'rs, Antemnae, Tibur with her lofty tow'rs, Ardea the proud, the Crustumerian town: All these of old were places of renown. Some hammer helmets for the fighting field; Some twine young sallows to support the shield; The croslet some, and some the cuishes mold, With silver plated, and with ductile gold. The rustic honors of the scythe and share


Aeneid
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from De Profundis by Oscar Wilde:

the table eat of the crumbs that the children let fall. Most people live for love and admiration. But it is by love and admiration that we should live. If any love is shown us we should recognise that we are quite unworthy of it. Nobody is worthy to be loved. The fact that God loves man shows us that in the divine order of ideal things it is written that eternal love is to be given to what is eternally unworthy. Or if that phrase seems to be a bitter one to bear, let us say that every one is worthy of love, except him who thinks that he is. Love is a sacrament that should be taken kneeling, and DOMINE, NON SUM DIGNUS should be on the lips and in the hearts of those who receive it.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from De Profundis by Oscar Wilde:

a new DE AMICITIA must find a niche for them, and praise them in Tusculan prose. They are types fixed for all time. To censure them would show 'a lack of appreciation.' They are merely out of their sphere: that is all. In sublimity of soul there is no contagion. High thoughts and high emotions are by their very existence isolated.

I am to be released, if all goes well with me, towards the end of May, and hope to go at once to some little sea-side village abroad with R- and M-.

The sea, as Euripides says in one of his plays about Iphigeneia, washes away the stains and wounds of the world.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

Sara Lee, living on the edge of eternity, and seeing men die or suffer horribly, not to gain anything - except perhaps some honorable advancement for their souls - but that there might be preserved, at any cost, the right of honest folk to labor in their fields, to love, to pray, and at last to sleep in the peace of God.

She had lost the past and she dared not look into the future. So she was living each day as it came, with its labor, its love, its prayers and at last its sleep. Even Harvey seemed remote and stern and bitter. She reread his letters often, but they were forced. And after a time she realized another quality in them. They were self-centered. It was his anxiety, his loneliness, his humiliation. Sara Lee's eyes were