| The first excerpt represents the past or something you must release, and is drawn from Just Folks by Edgar A. Guest: You mustn't get hurt while your daddy's gone,
For every cut with its ache and smart
Leaves another bruise on your daddy's heart."
Every night I must stoop to see
The fresh little cuts on her arm or knee;
The little hurts that have marred her play,
And brought the tears on a happy day;
For the path of childhood is oft beset
With care and trouble and things that fret.
Oh, little girl, when you older grow,
Far greater hurts than these you'll know;
 Just Folks |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Two Noble Kinsmen by William Shakespeare: We laugh, for what we have, are sorry: still
Are children in some kind. Let us be thankefull
For that which is, and with you leave dispute
That are above our question. Let's goe off,
And beare us like the time. [Florish. Exeunt.]
EPILOGVE
I would now aske ye how ye like the Play,
But, as it is with Schoole Boyes, cannot say,
I am cruell fearefull: pray, yet stay a while,
And let me looke upon ye: No man smile?
Then it goes hard, I see; He that has
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The third excerpt represents the future or something you must embrace, and is drawn from Marie by H. Rider Haggard: suppose in order to make this solemn contract public, Marais called the
surviving Boers, who were loitering near, and repeated to them the terms
of the contract that we had made.
The men laughed and shrugged their shoulders. But Vrouw Prinsloo, I
remember, said outright that she thought the business foolish, since if
anyone had a right to Marie, I had, wherever I chose to take her. She
added that, as for Hernan Pereira, he was a "sneak and a stinkcat," who
had gone off to save his own life, and left them all to die. If _she_
were Marie, should they meet again, she would greet him with a pailful
of dirty water in the face, as she herself meant to do if she got the
chance.
 Marie |