| The first excerpt represents the past or something you must release, and is drawn from The Communist Manifesto by Karl Marx: independent urban republic (as in Italy and Germany), there
taxable "third estate" of the monarchy (as in France),
afterwards, in the period of manufacture proper, serving either
the semi-feudal or the absolute monarchy as a counterpoise
against the nobility, and, in fact, corner-stone of the great
monarchies in general, the bourgeoisie has at last, since the
establishment of Modern Industry and of the world-market,
conquered for itself, in the modern representative State,
exclusive political sway. The executive of the modern State is
but a committee for managing the common affairs of the whole
bourgeoisie.
 The Communist Manifesto |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift: transmitted to me from foreign parts, they would fill a volume,
and be a full defence against all that Mr. Partridge, or his
accomplices of the Portugal Inquisition, will be able to object;
who, by the way, are the only enemies my predictions have ever
met with at home or abroad. But I hope I know better what is due
to the honour of a learned correspondence in so tender a point.
Yet some of those illustrious persons will perhaps excuse me from
transcribing a passage or two in my own vindication. The most
learned Monsieur Leibnits thus addresses to me his third letter:
Illustrissimo Bickerstaffio Astrologiae instauratori, etc.
Monsieur le Clerc, quoting my predictions in a treatise he
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The third excerpt represents the future or something you must embrace, and is drawn from Under the Red Robe by Stanley Weyman: continued bluntly, and speaking with greater freedom than he had
before used, 'Nature never intended you for a tipstaff. What was
it then?'
I rose. It was very late, and the room was empty, the fire low.
'I will tell you--to-morrow,' I said. 'I shall have something to
say to you then, of which that will be part.'
He looked at me in great astonishment, and with a little
suspicion. But I called for a light, and by going at once to
bed, cut short his questions. In the morning we did not meet
until it was time to start.
Those who know the south road to Agen, and how the vineyards rise
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