Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Avril Lavigne

The first excerpt represents the past or something you must release, and is drawn from The Foolish Virgin by Thomas Dixon:

natured indifference to stir when she had asked him to get the wood for breakfast. It was nothing, of course, to walk a hundred yards to the beach and pick up the wood, and she did it. The hurt that stung was the feeling that he was growing indifferent.

She felt for the first time an impulse to box his lazy jaws as he yawned and turned over for the dozenth time without rising. He looked for all the world like a bulldog curled up on his bed of grass.

She shook him at last.

"Jim, dear, you must get up now! Breakfast is

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

barking attracted the attention of some of the tug's crew, so that as soon as we reached the side there were hands to help us aboard. I asked the girl if she was hurt, but she assured me that she was none the worse for this second wetting; nor did she seem to suffer any from shock. I was to learn for myself that this slender and seemingly delicate creature possessed the heart and courage of a warrior.

As we joined our own party, I found the tug's mate checking up our survivors. There were ten of us left, not including the girl. Our brave skipper was missing, as were eight others. There had been nineteen of us in the attacking party and we had accounted

The Land that Time Forgot
The third excerpt represents the future or something you must embrace, and is drawn from The Cavalry General by Xenophon:

trans. "these are simply memoranda."

And first to speak of the Processions.[3] These will, I think, be rendered most acceptable to Heaven and to earth's spectators were the riders to ride round the Agora and temples, commencing from the Hermae, and pay honour to the sacred beings, each in turn, whose shrines and statues are there congregated. (Thus in the great Dionysia[4] the choruses embrace their gracious service to the other gods and to the Twelve with circling dance.[5]) When the circuit is completed, and the riders are back again in front of the Hermae, it would add, I think, to the beauty of the scene[6] if at this point they formed in companies of tribes, and giving their horses rein,