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Today's Stichomancy for Avril Lavigne

The first excerpt represents the past or something you must release, and is drawn from A Book of Remarkable Criminals by H. B. Irving:

"nearly all the things for which men are hanged or imprisoned for doing to one another are nature's everyday performances," and in another passage: "The course of natural phenomena being replete with everything which when committed by human beings is most worthy of abhorrence, anyone who endeavoured in his actions to imitate the natural course of things would be universally seen and acknowledged to be the wickedest of men."

Here is explanation enough for the presence of evil in our natures, that instinct to destroy which finds comparatively harmless expression in certain forms of taking life, which is at its worst when we fall to taking each other's. It is to check an


A Book of Remarkable Criminals
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tom Grogan by F. Hopkinson Smith:

and Dan McGaw'll ever put up on me. Oh, but ye should'a' minded the face on him, Gran'pop!"--untying her hood and breaking into a laugh so contagious in its mirth that even Babcock joined in without knowing what it was all about.

As she spoke, Tom stood facing her father, hood and ulster off, the light of the windows silhouetting the splendid lines of her well-rounded figure, with its deep chest, firm bust, broad back, and full throat, her arms swinging loose and free.

"Ye see," she said, turning to Babcock, "that man Duffy tried to do me,--he's the sergeant at the fort--and Dan McGaw--ye know him--he's the divil that wanted to work for ye. Ye know I always

The third excerpt represents the future or something you must embrace, and is drawn from Northanger Abbey by Jane Austen:

after every fresh proof, which every morning brought, of her knowing nobody at all.

They made their appearance in the Lower Rooms; and here fortune was more favourable to our heroine. The master of the ceremonies introduced to her a very gentlemanlike young man as a partner; his name was Tilney. He seemed to be about four or five and twenty, was rather tall, had a pleasing countenance, a very intelligent and lively eye, and, if not quite handsome, was very near it. His address was good, and Catherine felt herself in high luck. There was little leisure for speaking while they danced;


Northanger Abbey