| The first excerpt represents the past or something you must release, and is drawn from Grimm's Fairy Tales by Brothers Grimm: it is to be emperor!' 'Husband,' said she, 'why should we stop at
being emperor? I will be pope next.' 'O wife, wife!' said he, 'how can
you be pope? there is but one pope at a time in Christendom.'
'Husband,' said she, 'I will be pope this very day.' 'But,' replied
the husband, 'the fish cannot make you pope.' 'What nonsense!' said
she; 'if he can make an emperor, he can make a pope: go and try him.'
So the fisherman went. But when he came to the shore the wind was
raging and the sea was tossed up and down in boiling waves, and the
ships were in trouble, and rolled fearfully upon the tops of the
billows. In the middle of the heavens there was a little piece of blue
sky, but towards the south all was red, as if a dreadful storm was
Grimm's Fairy Tales |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Poems of William Blake by William Blake: Thel enter'd in & saw the secrets of the land unknown;
She saw the couches of the dead, & where the fibrous roots
Of every heart on earth infixes deep its restless twists:
A land of sorrows & of tears where never smile was seen.
She wandered in the land of clouds thro' valleys dark, listning
Dolors & lamentations: waiting oft beside the dewy grave
She stood in silence, listning to the voices of the ground,
Till to her own grave plot she came, & there she sat down.
And heard this voice of sorrow breathed from the hollow pit.
Why cannot the Ear be closed to its own destruction?
Or the glistening Eye to the poison of a smile!
Poems of William Blake |
The third excerpt represents the future or something you must embrace, and is drawn from The Land of Footprints by Stewart Edward White: warmest corner for sleep. When he had acquired a nut, a kernel of
corn, or a piece of fruit, he sat him down and examined it
thoroughly and conscientiously and then, conscientiously and
thoroughly, he devoured it. No extraneous interest could distract
his attention; not for a moment. That he had sounded the
seriousness of life is proved by the fact that he had observed
and understood the flighty character of Funny Face. When Funny
Face acquired a titbit, Darwin took up a hump-backed position
near at hand, his bright little eyes fixed on his friend's
activities. Funny Face would nibble relishingly at his prune for
a moment or so; then an altogether astonishing butterfly would
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