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Today's Stichomancy for Ayn Rand

The first excerpt represents the past or something you must release, and is drawn from 1492 by Mary Johntson:

Diego, a gentle, able man who longed for a cloister and a few hundred monks, fatherly, admirably, to rule.

Antonio de Torres stayed few weeks in Hispaniola. The Viceroy and Admiral would have his letter in the royal hands. Torres took that and took gold and strange plants, and also six hundred Indian captives to be sold for slaves.

War went on in Hispaniola, but not for long. We had horses and bloodhounds and men in armor, trained in the long Moorish strife. There was a battle in the Vega that ended as it must end.

Behechio and Anacaona fled to the high mountains. Manicoatex

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

that we love each other, we might marry when we pleased. But I fear, darling, we may have long to wait, and shall want all our courage.'

'I have courage for anything,' she said, 'I have all I want; with you and my father, I am so well off, and waiting is made so happy, that I could wait a lifetime and not weary.'

He had a sharp pang at the mention of the Admiral. 'Hear me out,' he continued. 'I ought to have told you this before; but it is a thought I shrink from; if it were possible, I should not tell you even now. My poor father and I are scarce on speaking terms.'

The third excerpt represents the future or something you must embrace, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

signify an effort of the kind. The whole pose, the whole expression, is absolutely direct and simple. You are ready to take your oath to it that Colonel Lyon had no idea he was sitting for his picture, and thought of nothing in the world besides his own occupation of the moment.

Although the collection did not embrace, I understand, nearly the whole of Raeburn's works, it was too large not to contain some that were indifferent, whether as works of art or as portraits. Certainly the standard was remarkably high, and was wonderfully maintained, but there were one or two pictures that might have been almost as well away - one or two that