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Today's Stichomancy for Ayn Rand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fanny Herself by Edna Ferber:

She opened her eyes. Heyl was there. He reached down, and lifted her lightly to her feet. "Timberline Cabin's not a hundred yards away. I just did it to try you."

She had spirit enough left to say, "Beast."

Then he swung her up, and carried her down the trail. He carried her, not in his arms, as they do it in books and in the movies. He could not have gone a hundred feet that way. He carried her over his shoulder, like a sack of meal, by one arm and one leg, I regret to say. Any boy scout knows that trick, and will tell you what I mean. It is the most effectual carrying method known, though unromantic.


Fanny Herself
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mother by Owen Wister:

Beverly. 'It's the regular trustee move, and nobody could criticise you if you made it. It's what I call thoughtless safety, and it brings you about 3 1-2 per cent, as I have already shown you. Anybody can do it.'" These words of Mr. Beverly made me feel that I did not want to do what anybody could do. 'There is another kind of safety which I call thoughtful safety,' said he. 'Thoughtful, because it requires you to investigate properties and their earnings, and generally to use your independent judgment after a good deal of work. And all this a trustee greatly dislikes. It rewards you with five and even six per cent, but that is no stimulus to a trustee.'"

"Something in me had leaped when Mr. Beverly mentioned six per cent.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Frankenstein by Mary Shelley:

attend as witnesses, I accompanied them to the court. During the whole of this wretched mockery of justice I suffered living torture. It was to be decided whether the result of my curiosity and lawless devices would cause the death of two of my fellow beings: one a smiling babe full of innocence and joy, the other far more dreadfully murdered, with every aggravation of infamy that could make the murder memorable in horror. Justine also was a girl of merit and possessed qualities which promised to render her life happy; now all was to be obliterated in an ignominious grave, and I the cause! A thousand times rather would I have confessed myself guilty of the crime ascribed to Justine, but I was absent


Frankenstein
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Michael Strogoff by Jules Verne:

struggle without using firearms, for they could not now be far from the Tartar posts. The women and children were collected in the middle of the raft, and the men, some armed with poles, others with their knives, stood prepared to re- pulse their assailants. They did not make a sound, but the howls of the wolves filled the air.

Michael did not wish to remain inactive. He lay down at the side attacked by the savage pack. He drew his knife, and every time that a wolf passed within his reach, his hand found out the way to plunge his weapon into its throat. Neither were Jolivet and Blount idle, but fought