| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Koran: little then would we have made thee taste of torment both of life
and death, then thou wouldst not have found against us any helper.
And they well-nigh enticed thee away from the land, to turn thee out
therefrom; but then- they should not have tarried after thee except
a little.
[This is] the course of those of our prophets whom we have sent
before thee; and thou shalt find no change in our course.
Be thou steadfast in prayer from the declining of the sun until
the dusk of the night, and the reading of the dawn; verily, the
reading of the dawn is ever testified to.
And for the night, watch thou therein as an extra service. It may be
 The Koran |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Letters of Robert Louis Stevenson by Robert Louis Stevenson: anxieties. And here am I, for instance, writing to you as if you
were in the seventh heaven, and yet I know you are in a sad anxiety
yourself. I hope earnestly it will soon be over, and a fine pink
Gosse sprawling in a tub, and a mother in the best of health and
spirits, glad and tired, and with another interest in life. Man,
you are out of the trouble when this is through. A first child is
a rival, but a second is only a rival to the first; and the husband
stands his ground and may keep married all his life - a
consummation heartily to be desired. Good-bye, Gosse. Write me a
witty letter with good news of the mistress.
R. L. S.
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Seraphita by Honore de Balzac: a type often painted by Rembrandt; the same small bright eyes, set in
wrinkles and surmounted by thick gray eyebrows; the same white hair
escaping in snowy flakes from a black velvet cap; the same broad, bald
brow, and a contour of face which the ample chin made almost square;
and lastly, the same calm tranquillity, which, to an observer, denoted
the possession of some inward power, be it the supremacy bestowed by
money, or the magisterial influence of the burgomaster, or the
consciousness of art, or the cubic force of blissful ignorance. This
fine old man, whose stout body proclaimed his vigorous health, was
wrapped in a dressing-gown of rough gray cloth plainly bound. Between
his lips was a meerschaum pipe, from which, at regular intervals, he
 Seraphita |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Helen of Troy And Other Poems by Sara Teasdale: To free his life of pain.
Snow Song
Fairy snow, fairy snow,
Blowing, blowing everywhere,
Would that I
Too, could fly
Lightly, lightly through the air.
Like a wee, crystal star
I should drift, I should blow
Near, more near,
To my dear
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