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Today's Stichomancy for B. F. Skinner

The first excerpt represents the past or something you must release, and is drawn from Blix by Frank Norris:

Carter possible is conventionality, then I'm done with conventionality for good. I am going to try, from this time on, to be just as true to myself as I can be. I am going to be sincere, and not pretend to like people and things that I don't like; and I'm going to do the things that I like to do--just so long as they are the things a good girl can do. See, Condy?" "You're fine," murmured Condy breathless. "You're fine as gold, Travis, and I--I love you all the better for it." "Ah, NOW!" exclaimed Travis, with a brusque movement, "there's

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

and turned pale.

"I want to know, honest Injun," said Jim, "what you are telling such awful whoppers about your old big sister Solly for?"

Content was silent. This time she did not smile, a tear trickled out of her right eye and ran over the pale cheek.

"Because you know," said Jim, observant of the tear, but ruthless, "that you haven't any big sister Solly, and never did have. You are getting us all in an awful mess over it, and father is rector

The third excerpt represents the future or something you must embrace, and is drawn from Menexenus by Plato:

a Platonic authorship. In reference to the last point we are doubtful, as in some of the other dialogues, whether the author is asserting or overthrowing the paradox of Socrates, or merely following the argument 'whither the wind blows.' That no conclusion is arrived at is also in accordance with the character of the earlier dialogues. The resemblances or imitations of the Gorgias, Protagoras, and Euthydemus, which have been observed in the Hippias, cannot with certainty be adduced on either side of the argument. On the whole, more may be said in favour of the genuineness of the Hippias than against it.

The Menexenus or Funeral Oration is cited by Aristotle, and is interesting as supplying an example of the manner in which the orators praised 'the