The first excerpt represents the past or something you must release, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass: be insensible to the voice of a reproving conscience.
He was, of all the overseers, the most dreaded by
the slaves. His presence was painful; his eye flashed
confusion; and seldom was his sharp, shrill voice
heard, without producing horror and trembling in
their ranks.
Mr. Gore was a grave man, and, though a young
man, he indulged in no jokes, said no funny words,
seldom smiled. His words were in perfect keeping
with his looks, and his looks were in perfect keeping
 The Narrative of the Life of Frederick Douglass: An American Slave |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Rivers to the Sea by Sara Teasdale: IX
Villa Serbelloni, Bellaggio
The fountain shivers lightly in the rain,
The laurels drip, the fading roses fall,
RIVERS TO THE SEA
The marble satyr plays a mournful strain
That leaves the rainy fragrance musical.
Oh dripping laurel, Phoebus sacred tree,
Would that swift Daphne's lot might come to me,
Then would I still my soul and for an hour
Change to a laurel in the glancing shower.
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The third excerpt represents the future or something you must embrace, and is drawn from Another Study of Woman by Honore de Balzac: and the Colonel for three years past. I ascribed this unconcern to
Italian manners, or to some domestic secret; yet there was in the
man's countenance one feature which always filled me with involuntary
distrust. His under lip, which was thin and very restless, turned down
at the corners instead of turning up, and this, as I thought, betrayed
a streak of cruelty in a character which seemed so phlegmatic and
indolent.
"As you may suppose the conversation was not very sparkling when I
went in. My weary comrades ate in silence; of course, they asked me
some questions, and we related our misadventures, mingled with
reflections on the campaign, the generals, their mistakes, the
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