Today's Stichomancy for B. F. Skinner

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Charmides and Other Poems by Oscar Wilde:

Full winter: and the lusty goodman brings His load of faggots from the chilly byre, And stamps his feet upon the hearth, and flings The sappy billets on the waning fire, And laughs to see the sudden lightening scare His children at their play, and yet, - the spring is in the air;

Already the slim crocus stirs the snow, And soon yon blanched fields will bloom again With nodding cowslips for some lad to mow, For with the first warm kisses of the rain The winter's icy sorrow breaks to tears,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The King of the Golden River by John Ruskin:

the old gentleman, having performed another and a more energetic concerto on the knocker, turned round to look after his flyaway cloak. In so doing he caught sight of Gluck's little yellow head jammed in the window, with its mouth and eyes very wide open indeed.

"Hollo!" said the little gentleman; "that's not the way to answer the door. I'm wet; let me in."

To do the little gentleman justice, he WAS wet. His feather hung down between his legs like a beaten puppy's tail, dripping like an umbrella, and from the ends of his mustaches the water was running into his waistcoat pockets and out again like a mill stream.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glasses by Henry James:

noiselessly into our chairs again--for the music was supreme, Wagner passed first--my demonstration ought pretty well to have given him the limit of the criticism he had to fear. I myself indeed, while the opera blazed, was only too afraid he might divine in our silent closeness the very moral of my optimism, which was simply the comfort I had gathered from seeing that if our companion's beauty lived again her vanity partook of its life. I had hit on the right note--that was what eased me off: it drew all pain for the next half-hour from the sense of the deep darkness in which the stricken woman sat. If the music, in that darkness, happily soared and swelled for her, it beat its wings in unison

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maitre Cornelius by Honore de Balzac:

cracks and crevices, he sounded the walls, he besought the trees of the garden, the foundations of the house, the roofs of the turrets, the earth and the heavens, to give him back his treasure. Often he stood motionless for hours, casting his eyes on all sides, plunging them into the void. Striving for the miracles of ecstasy and the powers of sorcery, he tried to see his riches through space and obstacles. He was constantly absorbed in one overwhelming thought, consumed with a single desire that burned his entrails, gnawed more cruelly still by the ever-increasing agony of the duel he was fighting with himself since his passion for gold had turned to his own injury, --a species of uncompleted suicide which kept him at once in the