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Today's Stichomancy for Barack Obama

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Glimpses of the Moon by Edith Wharton:

Melrose had gently put her out of doors. Rather than do what Ursula asked she would borrow a few hundred pounds of Strefford, as he had suggested, and then look about for some temporary occupation until--

Until she became Lady Altringham? Well, perhaps. At any rate, she was not going back to slave for Ursula.

She shook her head with a faint smile. "I'm so sorry, Ursula: of course I want awfully to oblige you--"

Mrs. Gillow's gaze grew reproachful. "I should have supposed you would," she murmured. Susy, meeting her eyes, looked into them down a long vista of favours bestowed, and perceived that

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Songs of Innocence and Experience by William Blake:

From the morn to the evening he strays; He shall follow his sheep all the day, And his tongue shall be filled with praise.

For he hears the lambs' innocent call, And he hears the ewes' tender reply; He is watchful while they are in peace, For they know when their shepherd is nigh.

THE ECHOING GREEN

The sun does arise, And make happy the skies; The merry bells ring


Songs of Innocence and Experience
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Oedipus Trilogy by Sophocles:

A foot for flight he needs Fleeter than storm-swift steeds, For on his heels doth follow, Armed with the lightnings of his Sire, Apollo. Like sleuth-hounds too The Fates pursue.

(Ant. 1) Yea, but now flashed forth the summons from Parnassus' snowy peak, "Near and far the undiscovered doer of this murder seek!" Now like a sullen bull he roves Through forest brakes and upland groves,


Oedipus Trilogy
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Symposium by Xenophon:

Sausage Seller. . . . What for? Chorus. It will prime you up and make you fight the better.

H. Frere.

[18] "We are concerned less with the lists of battle than of love"; "we meditate no furious close of battle but of lips." Lit. "how we shall kiss some one rather than do battle with."

After such sort the theme of their discourse reached its conclusion.

Then Critobulus spoke: It is now my turn, I think, to state to you the grounds on which I pride myself on beauty.[19]

[19] See "Hellenica Essays," p. 353.

A chorus of voices rejoined: Say on.


The Symposium