| The first excerpt represents the past or something you must release, and is drawn from Jude the Obscure by Thomas Hardy: insufficiently regarded.
One of the mistresses came in to turn out the lights, and before
doing so gave a final glance at Sue's cot, which remained empty,
and at her little dressing-table at the foot, which, like all
the rest, was ornamented with various girlish trifles,
framed photographs being not the least conspicuous among them.
Sue's table had a moderate show, two men in their filigree and
velvet frames standing together beside her looking-glass.
"Who are these men--did she ever say?" asked the mistress.
"Strictly speaking, relations' portraits only are allowed on
these tables, you know."
 Jude the Obscure |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Little Britain by Washington Irving: eclipse, or even an unusually dark day; and he shook the tail of
the last comet over the heads of his customers and disciples
until they were nearly frightened out of their wits. He has
lately got hold of a popular legend or prophecy, on which he
has been unusually eloquent. There has been a saying current
among the ancient sibyls, who treasure up these things, that
when the grasshopper on the top of the Exchange shook hands
with the dragon on the top of Bow Church Steeple, fearful
events would take place. This strange conjunction, it seems, has
as strangely come to pass. The same architect has been engaged
lately on the repairs of the cupola of the Exchange, and the
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The third excerpt represents the future or something you must embrace, and is drawn from The Master of Ballantrae by Robert Louis Stevenson: certain indices; and by these it should appear your brother was not
dead, but was carried in a swound on board the lugger. But now he
may be perfectly recovered."
What there was in his countenance I could not read. "James?" he
asked.
"Your brother James," I answered. "I would not raise a hope that
may be found deceptive, but in my heart I think it very probable he
is alive."
"Ah!" says Mr. Henry; and suddenly rising from his seat with more
alacrity than he had yet discovered, set one finger on my breast,
and cried at me in a kind of screaming whisper, "Mackellar" - these
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