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Today's Stichomancy for Barbara Streisand

The first excerpt represents the past or something you must release, and is drawn from Sense and Sensibility by Jane Austen:

"You forget," said Elinor gently, "that its situation is not...that it is not in the neighbourhood of..."

"But it is in Somersetshire.--I cannot go into Somersetshire.--There, where I looked forward to going...No, Elinor, you cannot expect me to go there."

Elinor would not argue upon the propriety of overcoming such feelings;--she only endeavoured to counteract them by working on others;--represented it, therefore, as a measure which would fix the time of her returning to that dear mother, whom she so much wished to see, in a more eligible, more comfortable manner, than any other plan could do,


Sense and Sensibility
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Poems of William Blake by William Blake:

To flourish in eternal vales: they why should Thel complain. Why should the mistress of the vales of Har, utter a sigh.

She ceasd & smild in tears, then sat down in her silver shrine.

Thel answerd, O thou little virgin of the peaceful valley. Giving to those that cannot crave, the voiceless, the o'er tired The breath doth nourish the innocent lamb, he smells the milky garments He crops thy flowers while thou sittest smiling in his face, Wiping his mild and meekin mouth from all contagious taints. Thy wine doth purify the golden honey; thy perfume. Which thou dost scatter on every little blade of grass that springs Revives the milked cow, & tames the fire-breathing steed.


Poems of William Blake
The third excerpt represents the future or something you must embrace, and is drawn from Lucile by Owen Meredith:

Boundless starlight, the cool isolation of night! Her husband that day had look'd once in her face, And press'd both her hands in a silent embrace, And reproachfully noticed her recent dejection With a smile of kind wonder and tacit affection. He, of late so indifferent and listless! . . . at last Was he startled and awed by the change which had pass'd O'er the once radiant face of his young wife? Whence came That long look of solicitous fondness? . . . the same Look and language of quiet affection--the look And the language, alas! which so often she took