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Today's Stichomancy for Barbara Streisand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Polly of the Circus by Margaret Mayo:

breaking. He would not let himself go near the window. He stood by the side of the table, his fists clenched, and tried to beat back the impulse that was pulling him toward the door. Again and again he set his teeth.

It was uncertainty that gnawed at him so. Was she ill? Could she need him? Was she sorry for having left him? Would she be glad if he went for her and brought her back with him? He recalled the hysterical note in her behaviour the day that she went away; how she had pleaded, only a few moments before Jim came, never to be separated from him. Had she really cared for Jim and for the old life? Why had she never written? Was she ashamed? Was she sorry

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Soul of Man by Oscar Wilde:

course, we have to a very great extent got rid of any attempt on the part of the community, or the Church, or the Government, to interfere with the individualism of speculative thought, but the attempt to interfere with the individualism of imaginative art still lingers. In fact, it does more than linger; it is aggressive, offensive, and brutalising.

In England, the arts that have escaped best are the arts in which the public take no interest. Poetry is an instance of what I mean. We have been able to have fine poetry in England because the public do not read it, and consequently do not influence it. The public like to insult poets because they are individual, but once they

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Symposium by Xenophon:

of the world, the paragon of animals.[22] And at this instant I feast my eyes on Cleinias[23] gladlier than on all other sights which men deem fair. Joyfully will I welcome blindness to all else, if but these eyes may still behold him and him only. With sleep and night I am sore vexed, which rob me of his sight; but to daylight and the sun I owe eternal thanks, for they restore him to me, my heart's joy, Cleinias.[24]

[20] Or, "beautiful and good."

[21] Or, "whose fair face draws me." Was Cleinias there as a "muta persona"? Hardly, in spite of {nun}. It is the image of him which is present to the mind's eye.

The Symposium
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Case of the Registered Letter by Grace Isabel Colbron and Augusta Groner:

was the expression of a man of integrity and responsibility. Muller had already made some inquiries as to the prisoner's reputation and business standing in the community, and all that he had heard was favourable. A certain hardness and lack of amiability in Graumann's nature made it difficult for him to win the hearts of others, but although he was not generally loved, he was universally respected. Through the signs of nagging fear, sorrow, and ill-health, printed clearly on the face before him, Muller's keen eyes looked down into the soul of a man who might be overbearing, pitiless even, if occasion demanded, but who would not murder - at least not for the sake of gain. This last possibility Muller had dismissed from