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Today's Stichomancy for Ben Affleck

The first excerpt represents the past or something you must release, and is drawn from Fairy Tales by Hans Christian Andersen:

must have been raining. "Yes, that it has," said she; and she now related many pretty things out of Holberg's comedies, and about Waldemar and Absalon; but all at once she cowered together, and her head began shaking backwards and forwards, and she looked as she were going to make a spring. "Croak! croak!" said she. "It is wet, it is wet; there is such a pleasant deathlike stillness in Sorbe!" She was now suddenly a frog, "Croak"; and now she was an old woman. "One must dress according to the weather," said she. "It is wet; it is wet. My town is just like a bottle; and one gets in by the neck, and by the neck one must get out again! In former times I had the finest fish, and now I have fresh rosy-cheeked boys at the bottom of the bottle, who learn wisdom, Hebrew, Greek--Croak!"


Fairy Tales
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Sense and Sensibility by Jane Austen:

Colonel Brandon's partiality for Marianne, which had so early been discovered by his friends, now first became perceptible to Elinor, when it ceased to be noticed by them. Their attention and wit were drawn off to his more fortunate rival; and the raillery which the other had incurred before any partiality arose, was removed when his feelings began really to call for the ridicule so justly annexed to sensibility. Elinor was obliged, though unwillingly, to believe that the sentiments which Mrs. Jennings had assigned him for her own satisfaction, were now actually excited by her sister; and that however


Sense and Sensibility
The third excerpt represents the future or something you must embrace, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

the lovely universe, the life of the human body.'

'My dear, you speak as if you were ushering it all in! True, you am going away on a holiday: but don't please be quite so indecently elated about it. Believe me, whatever God there is is slowly eliminating the guts and alimentary system from the human being, to evolve a higher, more spiritual being.'

'Why should I believe you, Clifford, when I feel that whatever God there is has at last wakened up in my guts, as you call them, and is rippling so happily there, like dawn. Why should I believe you, when I feel so very much the contrary?'

'Oh, exactly! And what has caused this extraordinary change in you?


Lady Chatterley's Lover