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Today's Stichomancy for Ben Affleck

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Polly of the Circus by Margaret Mayo:

outdoor life as she to her indoor surroundings, for he, too, had been with the circus since his earliest recollection.

The grass enclosure, where he waited, was shut in by a circle of tents and wagons. The great, red property vans were waiting to be loaded with the costumes and tackle which were constantly being brought from the "big top," where the evening performance was now going on. The gay striped curtains at the rear of the tent were looped back to give air to the panting musicians, who sat just inside. Through the opening, a glimpse of the audience might be had, tier upon tier, fanning and shifting uneasily. Near the main tent stood the long, low dressing "top," with the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Red Seal by Natalie Sumner Lincoln:

Kent, preparatory to shutting the safe, drew out the envelope intending to place it in another pigeon-hole where there was more room. As he turned the envelope over he was thunderstruck to recognize it as the one which Helen McIntyre had placed in the safe on Wednesday morning. He had last seen the envelope lying on the table in the smoking porch of the Club de Vingt, from whence it had mysteriously disappeared, and now it was back again in Rochester's safe!

Had it ever been missing from the safe? The question forced itself on Kent as he returned to his chair, envelope in hand, and sat down before his desk. He had accepted Detective Ferguson's statement


The Red Seal
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Soul of the Far East by Percival Lowell:

But however strong the conviction now of one's individuality, is there aught to assure him of its continuance beyond the confines of its present life? Will it awake on death's morrow and know itself, or will it, like the body that gave it lodgment, disintegrate again into indistinguishable spirit dust? Close upon the heels of the existing consciousness of self treads the shadow-like doubt of its hereafter. Will analogy help to answer the grewsome riddle of the Sphinx? Are the laws we have learned to be true for matter true also for mind? Matter we now know is indestructible; yet the form of it with which we once were so fondly familiar vanishes never to return. Is a like fate to be the lot of the soul? That mind should be

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

it. That it is incumbent on mankind so to strive, and that celibacy is preferable to marriage, are truths revealed by Christ 1,900 years ago, set forth in our catechisms, and professed by us as followers of Christ.

Chastity and celibacy, it is urged, cannot constitute the ideal of humanity, because chastity would annihilate the race which strove to realize it, and humanity cannot set up as its ideal its own annihilation. It may be pointed out in reply that only that is a true ideal, which, being unattainable, admits of infinite gradation in degrees of proximity. Such is the Christian ideal of the founding of God's kingdom, the union of all living


The Kreutzer Sonata