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Today's Stichomancy for Benito Juarez

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Kidnapped by Robert Louis Stevenson:

am a perfect stranger. But the plain common-sense is to set the blame where it belongs, and that is on the man who fired the shot. Paper him, as ye call it, set the hunt on him; and let honest, innocent folk show their faces in safety." But at this both Alan and James cried out in horror; bidding me hold my tongue, for that was not to be thought of; and asking me what the Camerons would think? (which confirmed me, it must have been a Cameron from Mamore that did the act) and if I did not see that the lad might be caught? "Ye havenae surely thought of that?" said they, with such innocent earnestness, that my hands dropped at my side and I despaired of argument.


Kidnapped
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

"Yes. Why?"

"Why, because two of the vans are not safe. They can't go on, they must stay here to be repaired."

"Oh, come, tell us another! You simply want a drink, to get something out of me. . . . You should have said so."

"As you please, only it is my duty to report it at once."

Without indignation or protest, simply, almost mechanically, the old man takes two twenty-kopeck pieces out of his pocket and gives them to the oiler. He takes them very calmly, too, and looking good-naturedly at the old man enters into conversation.

"You are going to sell your cattle, I suppose. . . . It's good


The Schoolmistress and Other Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Atheist's Mass by Honore de Balzac:

yet you attend mass? My dear master, you are bound to give me an answer."

"I am like a great many devout people, men who on the surface are deeply religious, but quite as much atheists as you or I can be."

And he poured out a torrent of epigrams on certain political personages, of whom the best known gives us, in this century, a new edition of Moliere's Tartufe.

"All that has nothing to do with my question," retorted Bianchon. "I want to know the reason for what you have just been doing, and why you founded this mass."

"Faith! my dear boy," said Desplein, "I am on the verge of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

Lady was no better than she ought to have been) was complete, a portrait of Mary came to light and turned out to be that of a fair lady, not of a dark one. That settles the question, if the portrait is authentic, which I see no reason to doubt, and the lady's hair undyed, which is perhaps less certain. Shakespear rubbed in the lady's complexion in his sonnets mercilessly; for in his day black hair was as unpopular as red hair was in the early days of Queen Victoria. Any tinge lighter than raven black must be held fatal to the strongest claim to be the Dark Lady. And so, unless it can be shewn that Shakespear's sonnets exasperated Mary Fitton into dyeing her hair and getting painted in false colors, I must give up all