Today's Stichomancy for Benito Juarez
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Barnaby Rudge by Charles Dickens: home. You'll tell him so, and shut the door.'
So, it soon got whispered about, that Mr Chester was very
unfortunate in his son, who had occasioned him great grief and
sorrow. And the good people who heard this and told it again,
marvelled the more at his equanimity and even temper, and said what
an amiable nature that man must have, who, having undergone so
much, could be so placid and so calm. And when Edward's name was
spoken, Society shook its head, and laid its finger on its lip, and
sighed, and looked very grave; and those who had sons about his
age, waxed wrathful and indignant, and hoped, for Virtue's sake,
that he was dead. And the world went on turning round, as usual,
 Barnaby Rudge |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A House of Pomegranates by Oscar Wilde: more often he would be alone, feeling through a certain quick
instinct, which was almost a divination, that the secrets of art
are best learned in secret, and that Beauty, like Wisdom, loves the
lonely worshipper.
Many curious stories were related about him at this period. It was
said that a stout Burgo-master, who had come to deliver a florid
oratorical address on behalf of the citizens of the town, had
caught sight of him kneeling in real adoration before a great
picture that had just been brought from Venice, and that seemed to
herald the worship of some new gods. On another occasion he had
been missed for several hours, and after a lengthened search had
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Resurrection by Leo Tolstoy: chains, the noise of footsteps, authoritative voices, the sound
of coughing, and the low murmur of a large crowd became audible.
This continued for about five minutes, during which several
jailers went in and out of the gateway. At last the word of
command was given. The gate opened with a thundering noise, the
clattering of the chains became louder, and the convoy soldiers,
dressed in white blouses and carrying guns, came out into the
street and took their places in a large, exact circle in front of
the gate; this was evidently a usual, often-practised manoeuvre.
Then another command was given, and the prisoners began coming
out in couples, with flat, pancake-shaped caps on their shaved
 Resurrection |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memories and Portraits by Robert Louis Stevenson: a shrewd missile, and reappear, as if after a dive, tingling with a
fine moral reaction, and ready, with a shrinking readiness, one-
third loath, for a repetition of the discipline.
There are few women, not well sunned and ripened, and perhaps
toughened, who can thus stand apart from a man and say the true
thing with a kind of genial cruelty. Still there are some - and I
doubt if there be any man who can return the compliment. The class
of man represented by Vernon Whitford in THE EGOIST says, indeed,
the true thing, but he says it stockishly. Vernon is a noble
fellow, and makes, by the way, a noble and instructive contrast to
Daniel Deronda; his conduct is the conduct of a man of honour; but
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