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Today's Stichomancy for Benjamin Franklin

The first excerpt represents the past or something you must release, and is drawn from The Mucker by Edgar Rice Burroughs:

upon the right trail for a well-marked and long-used path wound upward through a canyon along which they rode. It was an excellent location for an ambush, and both men breathed more freely when they had passed out of it into more open country upon a narrow tableland between the first foothills and the main range of mountains.

Here again was the trail well marked, and when Eddie, looking ahead, saw that it appeared to lead in the direction of a vivid green spot close to the base of the gray brown hills he gave an exclamation of assurance.

"We're on the right trail all right, old man," he said.


The Mucker
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Gorgias by Plato:

explained?

The fallacy of this argument is twofold; for in the first place, a man may know justice and not be just--here is the old confusion of the arts and the virtues;--nor can any teacher be expected to counteract wholly the bent of natural character; and secondly, a man may have a degree of justice, but not sufficient to prevent him from ever doing wrong. Polus is naturally exasperated at the sophism, which he is unable to detect; of course, he says, the rhetorician, like every one else, will admit that he knows justice (how can he do otherwise when pressed by the interrogations of Socrates?), but he thinks that great want of manners is shown in bringing the argument to such a pass. Socrates ironically replies, that when old

The third excerpt represents the future or something you must embrace, and is drawn from In a German Pension by Katherine Mansfield:

tables and shook her head.

"Come here, and I'll show you a picture," he commanded.

She went and stood beside him. He opened the book, and Sabina saw a coloured sketch of a naked girl sitting on the edge of a great, crumpled bed, a man's opera hat on the back of her head.

He put his hand over the body, leaving only the face exposed, then scrutinised Sabina closely.

"Well?"

"What do you mean?" she asked, knowing perfectly well.

"Why, it might be your own photograph--the face, I mean--that's as far as I can judge."