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Today's Stichomancy for Benjamin Franklin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Vicar of Tours by Honore de Balzac:

often assails timid people and makes them fear to seem impolite by breaking off a conversation in order to take leave. Consequently he remained there the whole evening. Then a friend of his, a certain Mademoiselle Salomon de Villenoix, came to see him, and this gave Mademoiselle Gamard the happiness of forming a card-table; so that when the vicar went to bed he felt that he had passed a very agreeable evening. Knowing Mademoiselle Gamard and the Abbe Troubert but slightly, he saw only the superficial aspects of their characters; few persons bare their defects at once, they generally take on a becoming veneer.

The worthy abbe was thus led to suggest to himself the charming plan

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Complete Angler by Izaak Walton:

certain, that in Thames and Trent, and in most other rivers, they be in season the six hotter months.

Now for the Art of catching fish, that is to say, How to make a man that was none to be an Angler by a book, he that undertakes it shall undertake a harder task than Mr. Hales, a most valiant and excellent fencer, who in a printed book called A Private School of Defence undertook to teach that art or science, and was laughed at for his labour. Not but that many useful things might be learned by that book, but he was laughed at because that art was not to be taught by words, but practice: and so must Angling. And note also, that in this Discourse I do not undertake to say all that is known, or may be said of it, but I

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

by a curious coincidence which we have not yet tried to explain, even to ourselves. The tops of the buildings, which in the actual city around us had, of course, been weathered into shapeless ruins ages ago, were clearly displayed in the bas-reliefs, and showed vast clusters of needle-like spires, delicate finials on certain cone and pyramid apexes, and tiers of thin, horizontal scalloped disks capping cylindrical shafts. This was exactly what we had seen in that monstrous and portentous mirage, cast by a dead city whence such skyline features had been absent for thousands and tens of thousands of years, which loomed on our ignorant eyes across the unfathomed mountains of madness as we first approached


At the Mountains of Madness
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain:

but he left out the item that applicants for the reward might also apply to Mr. Thomas Driscoll.

"Gimme de bill!"

Tom had folded it and was putting it in his pocket. He felt a chilly streak creeping down his back, but said as carelessly as he could:

"The bill? Why, it isn't any use to you, you can't read it. What do you want with it?"

"Gimme de bill!" Tom gave it to her, but with a reluctance which he could not entirely disguise. "Did you read it ALL to me?"

"Certainly I did."