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Today's Stichomancy for Beyonce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson:

When children are happy and playing alone.

He lies in the laurels, he runs on the grass, He sings when you tinkle the musical glass; Whene'er you are happy and cannot tell why, The Friend of the Children is sure to be by!

He loves to be little, he hates to be big, 'T is he that inhabits the caves that you dig; 'T is he when you play with your soldiers of tin That sides with the Frenchmen and never can win.

'T is he, when at night you go off to your bed, Bids you go to sleep and not trouble your head;


A Child's Garden of Verses
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Songs of Innocence and Experience by William Blake:

Then what have I to do with thee?

The sexes sprung from shame and pride, Blowed in the morn, in evening died; But mercy changed death into sleep; The sexes rose to work and weep.

Thou, mother of my mortal part, With cruelty didst mould my heart, And with false self-deceiving tears Didst blind my nostrils, eyes, and ears,

Didst close my tongue in senseless clay, And me to mortal life betray.


Songs of Innocence and Experience
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Where There's A Will by Mary Roberts Rinehart:

Pierce had gone.

I reached my basket through the bars and climbed the fence in a hurry. Miss Patty had got almost to the top and was standing there on one snow-covered rail, staring across at me through the darkness.

"I can't, Minnie," she whispered hopelessly. "I never could climb a fence, and in this skirt--!"

"Quick!" I said in a low tone. The lantern was very close. "Put your leg over."

She did, and sat there looking down at me like a scared baby.

"Now the other."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from War of the Worlds by H. G. Wells:

For it was manifest the Martians were about us. No sooner had the curate overtaken me than we saw either the fighting- machine we had seen before or another, far away across the meadows in the direction of Kew Lodge. Four or five little black figures hurried before it across the green-grey of the field, and in a moment it was evident this Martian pursued them. In three strides he was among them, and they ran radiating from his feet in all directions. He used no Heat-Ray to destroy them, but picked them up one by one. Apparently he tossed them into the great metallic carrier which projected behind him, much as a workman's basket hangs over his


War of the Worlds