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Today's Stichomancy for Beyonce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Across The Plains by Robert Louis Stevenson:

signing of the declaration of independence, Mark Antony's oration, all the brave scenes of history, I conceive as having been not unlike that evening in the cafe at Chatillon. Terror breathed upon the assembly. A moment later, when the Arethusa had followed his recaptors into the farther part of the house, the Cigarette found himself alone with his coffee in a ring of empty chairs and tables, all the lusty sportsmen huddled into corners, all their clamorous voices hushed in whispering, all their eyes shooting at him furtively as at a leper.

And the Arethusa? Well, he had a long, sometimes a trying, interview in the back kitchen. The Marechal-des-logis, who was a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Several Works by Edgar Allan Poe:

Quoth the Raven, "Nevermore."

Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning--little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door-- Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore."

But the Raven, sitting lonely on that placid bust, spoke only That one word, as if its soul in that one word he did outpour Nothing farther then he uttered; not a feather then he fluttered-- Till I scarcely more than muttered: "Other friends have flown before--

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Heritage of the Desert by Zane Grey:

Eschtah is the wise old chief of all the Navajos on the Painted Desert. It may interest you to know he is Mescal's grandfather. Some day I'll tell you the story."

Hare tried very hard to appear unconscious when two tall Indians stalked into the circle of Mormons; he set his eyes on the white heart of the camp-fire and waited. For several minutes no one spoke or even moved. The Indians remained standing for a time; then seated themselves. Presently August Naab greeted them in the Navajo language. This was a signal for Hare to use his eyes and ears. Another interval of silence followed before they began to talk. Hare could see only their blanketed shoulders and black heads.


The Heritage of the Desert
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The White Moll by Frank L. Packard:

sibilancy in his voice, due no doubt to the disfigurement of his lips. "Give Pinkie a chance to shoot his spiel before youse injure yerself throwin' a fit! Go on, Pinkie, spill it."

"Sure!" said Pinkie eagerly. "Listen, Shluk! It ain't any crib we're wantin' to crack, or nothin' like that. It's just a couple of crooks that won't dare open their yaps to the bulls, 'cause what we're after 'll be what they'll have pinched themselves. See?"

Shluker's face lost some of its belligerency, and in its place a dawning interest came.

"What's that?" he demanded cautiously. "What crooks?"

"French Pete an' Marny Day," said Pinkie - and grinned.