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Today's Stichomancy for Beyonce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Riders of the Purple Sage by Zane Grey:

Venters backed out of the door and waited, hearing, as no sound had ever before struck into his soul, the rapid, heavy steps of the rustler.

Oldring appeared, and Venters had one glimpse of his great breadth and bulk, his gold-buckled belt with hanging guns, his high-top boots with gold spurs. In that moment Venters had a strange, unintelligible curiosity to see Oldring alive. The rustler's broad brow, his large black eyes, his sweeping beard, as dark as the wing of a raven, his enormous width of shoulder and depth of chest, his whole splendid presence so wonderfully charged with vitality and force and strength, seemed to afford

Riders of the Purple Sage
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Call of the Canyon by Zane Grey:

charm or to you.

It is all so hard to put in words, Carley. To lie down with death and get up with death was nothing. To face one's degradation was nothing. But to come home an incomprehensibly changed man--and to see my old life as strange as if it were the new life of another planet--to try to slip into the old groove--well, no words of mine can tell you how utterly impossible it was.

My old job was not open to me, even if I had been able to work. The government that I fought for left me to starve, or to die of my maladies like a dog, for all it cared.

I could not live on your money, Carley. My people are poor, as you know. So

The Call of the Canyon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Dunwich Horror by H. P. Lovecraft:

been so unmistakably the altar-stone on the peak. It is almost erroneous to call them sounds at all, since so much of their ghastly, infra-bass timbre spoke to dim seats of consciousness and terror far subtler than the ear; yet one must do so, since their form was indisputably though vaguely that of half-articulate words. They were loud - loud as the rumblings and the thunder above which they echoed - yet did they come from no visible being. And because imagination might suggest a conjectural source in the world of non-visible beings, the huddled crowd at the mountain's base huddled still closer, and winced as if in expectation of a blow. 'Ygnailh...

The Dunwich Horror
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tristram Shandy by Laurence Sterne:

tout ce qu'elle avoit a faire, & ayant fait mettre son fils dans un pour proprement accommode, il reussit a l'elever & a lui faire prendre ses accroissemens necessaires, par l'uniformite d'une chaleur etrangere mesuree exactement sur les degres d'un Thermometre, ou d'un autre instrument equivalent. (Vide Mich. Giustinian, ne gli Scritt. Liguri a 223. 488.) On auroit toujours ete tres satisfait de l'industrie d'un pere si experimente dans l'Art de la Generation, quand il n'auroit pu prolonger la vie a son fils que pour Puelques mois, ou pour peu d'annees. Mais quand on se represente que l'Enfant a vecu pres de quatre-vingts ans, & qu'il a compose quatre-vingts Ouvrages differents tous fruits d'une longue lecture--il faut convenir que tout ce qui est incroyable n'est pas toujours faux, & que la