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Today's Stichomancy for Bill Gates

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Complete Angler by Izaak Walton:

desire me, tell you somewhat of the nature of most of the fish that we are to angle for, and I am sure I both can and will tell you more than any common angler yet knows.

The third day-continued

How to fish for, and to dress, the Chavender of Chub

Chapter III

Piscator and Venator

Piscator. The Chub, though he eat well, thus dressed, yet as he is usually dressed, he does not. He is objected against, not only for being full of small forked bones, dispersed through all his body, but that he eats waterish, and that the flesh of him is not firm, but short and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mirror of the Sea by Joseph Conrad:

distaste. To be drowned in a pond, though it might be called an ignominious fate by the ignorant, is yet a bright and peaceful ending in comparison with some other endings to one's earthly career which I have mentally quaked at in the intervals or even in the midst of violent exertions.

But let that pass. Some of the masters whose influence left a trace upon my character to this very day, combined a fierceness of conception with a certitude of execution upon the basis of just appreciation of means and ends which is the highest quality of the man of action. And an artist is a man of action, whether he creates a personality, invents an expedient, or finds the issue of


The Mirror of the Sea
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Turn of the Screw by Henry James:

There are things he'll ask you!"

He turned it over. "Very likely. But what things?"

"The things you've never told me. To make up his mind what to do with you. He can't send you back--"

"Oh, I don't want to go back!" he broke in. "I want a new field."

He said it with admirable serenity, with positive unimpeachable gaiety; and doubtless it was that very note that most evoked for me the poignancy, the unnatural childish tragedy, of his probable reappearance at the end of three months with all this bravado and still more dishonor. It overwhelmed me now that I should never be able to bear that, and it made me let myself go. I threw myself upon him and in the tenderness of my pity I embraced him.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lost Princess of Oz by L. Frank Baum:

out of this queer prison, we'll all starve to death."

"Not I!" laughed the Patchwork Girl, now standing on top of the chandelier at the place that was meant to be the bottom of it.

"Don't talk of such dreadful things," said Trot, shuddering. "We came here to capture the Shoemaker, didn't we?"

"Yes, and to save Ozma," said Betsy.

"And here we are, captured ourselves, and my darling dishpan up there in plain sight!" wailed the Cookie Cook, wiping her eyes on the tail of the Frogman's coat.

"Hush!" called the Lion with a low, deep growl. "Give the Wizard time to think."


The Lost Princess of Oz