| The first excerpt represents the past or something you must release, and is drawn from Edition of The Ambassadors by Henry James: explanation. I shall be delighted to receive Sarah."
The sombre glow just darkened in his comrade's eyes; but he was
struck with the way it died out again. It was too mixed with
another consciousness--it was too smothered, as might be said, in
flowers. He really for the time regretted it--poor dear old sombre
glow! Something straight and simple, something heavy and empty, had
been eclipsed in its company; something by which he had best known
his friend. Waymarsh wouldn't BE his friend, somehow, without the
occasional ornament of the sacred rage, and the right to the sacred
rage--inestimably precious for Strether's charity--he also seemed
in a manner, and at Mrs. Pocock's elbow, to have forfeited.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Amy Foster by Joseph Conrad: stood Foster's cottage. She would help her mother
to give their tea to the younger children, wash up
the crockery, kiss the little ones, and go back to
the farm. That was all. All the rest, all the
change, all the relaxation. She never seemed to
wish for anything more. And then she fell in love.
She fell in love silently, obstinately--perhaps help-
lessly. It came slowly, but when it came it worked
like a powerful spell; it was love as the Ancients
understood it: an irresistible and fateful impulse--
a possession! Yes, it was in her to become haunted
 Amy Foster |
The third excerpt represents the future or something you must embrace, and is drawn from Flower Fables by Louisa May Alcott: We pity thee, foolish little flower,
To trust what the false worm said;
He will not come in a fairer dress,
For he lies in the green moss dead."
But little Clover still watched on,
Alone in her sunny home;
She did not doubt the poor worm's truth,
And trusted he would come.
At last the small cell opened wide,
And a glittering butterfly,
From out the moss, on golden wings,
 Flower Fables |