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Today's Stichomancy for Bill O'Reilly

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Almayer's Folly by Joseph Conrad:

her tears, her parted lips, her very breath, he was uneasily conscious of something in her he could not understand. Doubtless she had the wisdom of perfect beings. He sighed. He felt something invisible that stood between them, something that would let him approach her so far, but no farther. No desire, no longing, no effort of will or length of life could destroy this vague feeling of their difference. With awe but also with great pride he concluded that it was her own incomparable perfection. She was his, and yet she was like a woman from another world. His! His! He exulted in the glorious thought; nevertheless her tears pained him.


Almayer's Folly
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Modeste Mignon by Honore de Balzac:

all probability stands about the centre of the Ingouville to-day, was called, and perhaps is still called, "the Chalet." Originally it was a porter's lodge with a trim little garden in front of it. The owner of the villa to which it belonged,--a mansion with park, gardens, aviaries, hot-houses, and lawns--took a fancy to put the little dwelling more in keeping with the splendor of his own abode, and he reconstructed it on the model of an ornamental cottage. He divided this cottage from his own lawn, which was bordered and set with flower-beds and formed the terrace of his villa, by a low wall along which he planted a concealing hedge. Behind the cottage (called, in spite of all his efforts to prevent it, the Chalet) were the orchards


Modeste Mignon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Legend of Montrose by Walter Scott:

accustomed to civilised warfare. So that, were I undertaking to discipline such a breechless mob, it were impossible for me to be understood; and if I were understood, judge ye, my lord, what chance I had of being obeyed among a band of half salvages, who are accustomed to pay to their own lairds and chiefs, allenarly, that respect and obedience whilk ought to be paid to commissionate officers. If I were teaching them to form battalia by extracting the square root, that is, by forming your square battalion of equal number of men of rank and file, corresponding to the square root of the full number present, what return could I expect for communicating this golden secret of military tactic,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Time Machine by H. G. Wells:

round me again, I saw that, quite near, what I had taken to be a reddish mass of rock was moving slowly towards me. Then I saw the thing was really a monstrous crab-like creature. Can you imagine a crab as large as yonder table, with its many legs moving slowly and uncertainly, its big claws swaying, its long antennae, like carters' whips, waving and feeling, and its stalked eyes gleaming at you on either side of its metallic front? Its back was corrugated and ornamented with ungainly bosses, and a greenish incrustation blotched it here and there. I could see the many palps of its complicated mouth flickering and feeling as it moved.


The Time Machine