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Today's Stichomancy for Bill O'Reilly

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Young Forester by Zane Grey:

they wanted to follow us it was necessary to drive them back.

I had my hands full with the big, steel-jawed steed I was trying to hold in. It was the hardest work of the kind that I had ever undertaken. I had never worn spurs, but now I began to wish for them. We traveled at a good clip, as fast as the pack-ponies could go, and covered a long distance by camping-time. I was surprised that we did not get out of the canyon. The place where we camped was a bare, rocky opening, with a big pool in the center. While we were making camp it suddenly came over me that I was completely bewildered as to our whereabouts. I could not see the mountain peaks and did not know one direction from another. Even when Jim struck out of our trail and went off alone toward Holston I could not form an idea of

The Young Forester
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Collection of Antiquities by Honore de Balzac:

again have I seen among the living or in the faces of the dying the wan look of certain gray eyes that I remember, nor the dreadful brightness of others that were black.

"Neither Hoffmann nor Maturin, the two weirdest imaginations of our time, ever gave me such a thrill of terror as I used to feel when I watched the automaton movements of those bodies sheathed in whalebone. The paint on actors' faces never caused me a shock; I could see below it the rouge in grain, the rouge de naissance, to quote a comrade at least as malicious as I can be. Years had leveled those women's faces, and at the same time furrowed them with wrinkles, till they looked like the heads on wooden nutcrackers carved in Germany. Peeping in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Human Drift by Jack London:

profession. The best fighters are not crooked.

MAUD. I--er--I thought they all faked fights when there was enough in it.

FITZSIMMONS. Not the best ones.

MAUD. Did you--er --ever fake a fight?

FITZSIMMONS. [Looking at her sharply, then speaking solemnly.] Yes. Once.

MAUD. [Shocked, speaking sadly.] And I always heard of you and thought of you as the one clean champion who never faked.

FITZSIMMONS. [Gently and seriously.] Let me tell you about it. It was down in Australia. I had just begun to fight my way up.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from End of the Tether by Joseph Conrad:

sky. A gentle stillness as vast as the world seemed to wait upon her path, enveloping her lovingly in a su- preme caress. Mr. Massy thought there could be no better night for an arranged shipwreck.

Run up high and dry on one of the reefs east of Pangu--wait for daylight--hole in the bottom--out boats--Pangu Bay same evening. That's about it. As soon as she touched he would hasten on the bridge, get hold of the coat (nobody would notice in the dark), and shake it upside-down over the side, or even fling it into the sea. A detail. Who could guess? Coat been

End of the Tether