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Today's Stichomancy for Bob Dylan

The first excerpt represents the past or something you must release, and is drawn from Anabasis by Xenophon:

March 399 B.C.

PREPARER'S NOTE

This was typed from Dakyns' series, "The Works of Xenophon," a four-volume set. The complete list of Xenophon's works (though there is doubt about some of these) is:

Work Number of books

The Anabasis 7 The Hellenica 7 The Cyropaedia 8 The Memorabilia 4 The Symposium 1


Anabasis
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Father Goriot by Honore de Balzac:

to get a glimpse of his children! I have given all my life to them, and to-day they will not give me one hour! I am hungering and thirsting for them, my heart is burning in me, but they will not come to bring relief in the agony, for I am dying now, I feel that this is death. Do they not know what it means to trample on a father's corpse? There is a God in heaven who avenges us fathers whether we will or no.

"Oh! they will come! Come to me, darlings, and give me one more kiss; one last kiss, the Viaticum for your father, who will pray God for you in heaven. I will tell Him that you have been good children to your father, and plead your cause with God! After


Father Goriot
The third excerpt represents the future or something you must embrace, and is drawn from In the South Seas by Robert Louis Stevenson:

himself very sensible of the beauty and amenity of the hour. 'Good night! Good wind!' he kept exclaiming, and as he said the words he seemed to hug myself. I had long before invented such reiterated expressions of delight for a character (Felipe, in the story of OLALLA) intended to be partly bestial. But there was nothing bestial in Te Kop; only a childish pleasure in the moment. He was no less pleased with his companion, or was good enough to say so; honoured me, before he left, by calling me Te Kop; apostrophised me as 'My name!' with an intonation exquisitely tender, laying his hand at the same time swiftly on my knee; and after we had risen, and our paths began to separate in the bush, twice cried to me with