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Today's Stichomancy for Bob Dylan

The first excerpt represents the past or something you must release, and is drawn from Where There's A Will by Mary Roberts Rinehart:

that's all. Plain water would do well enough. There's a lot of people think whisky is poison with water, anyhow. Where's the pitcher?"

Oh, yes, I went. I put on some stockings of Mrs. Moody's and a petticoat and a shawl and started. It was when I was in the pharmacy looking for the peppermint that I first noticed my joint again. A joint like that's a blessing or a curse, the way you look at it.

I found the peppermint and some whisky and put them on the stairs. Then I took my pitcher and lantern and started for the spring-house. It was still snowing, and part of the time Mrs.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Varieties of Religious Experience by William James:

APPENDIX

(See note [64].)

CASE I. "My own experience is this: I had long been ill, and one of the first results of my illness, a dozen years before, had been a diplopia which deprived me of the use of my eyes for reading and writing almost entirely, while a later one had been to shut me out from exercise of any kind under penalty of immediate and great exhaustion. I had been under the care of doctors of the highest standing both in Europe and America, men in whose power to help me I had had great faith, with no or ill result. Then, at a time when I seemed to be rather rapidly

The third excerpt represents the future or something you must embrace, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

room. HER room? Again the word derided her. She opened the door, crossed the narrow hall, and walked up the stairs. As she passed, she noticed Westall's sticks and umbrellas: a pair of his gloves lay on the hall table. The same stair-carpet mounted between the same walls; the same old French print, in its narrow black frame, faced her on the landing. This visual continuity was intolerable. Within, a gaping chasm; without, the same untroubled and familiar surface. She must get away from it before she could attempt to think. But, once in her room, she sat down on the lounge, a stupor creeping over her. . .

Gradually her vision cleared. A great deal had happened in the