Today's Stichomancy for Bob Fosse

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from New Poems by Robert Louis Stevenson:

If yet she leave behind The constant mind To meet all fortunes nobly, to endure All things with a good heart, and still be pure, Still to be foremost in the foremost cause, And still be worthy of the love that was. Love coming is omnipotent indeed, But not Love going. Let her go. The seed Springs in the favouring Summer air, and grows, And waxes strong; and when the Summer goes, Remains, a perfect tree.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Travels and Researches in South Africa by Dr. David Livingstone:

formerly alight@mercury.interpath.net). To assure a high quality text, the original was typed in (manually) twice and electronically compared. [Note on text: Italicized words or phrases are CAPITALIZED. Some obvious errors have been corrected.]

Missionary Travels and Researches in South Africa. Also called, Travels and Researches in South Africa; or, Journeys and Researches in South Africa. By David Livingstone [British (Scot) Missionary and Explorer--1813-1873.]

David Livingstone was born in Scotland, received his medical degree from the University of Glasgow, and was sent to South Africa by the London Missionary Society. Circumstances led him to try to meet

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Call of Cthulhu by H. P. Lovecraft:

accustomed to face occasional charlatanry and imposture. Legrasse for some time lent the image to Professor Webb, but at the latter's death it was returned to him and remains in his possession, where I viewed it not long ago. It is truly a terrible thing, and unmistakably akin to the dream-sculpture of young Wilcox. That my uncle was excited by the tale of the sculptor I did not wonder, for what thoughts must arise upon hearing, after a knowledge of what Legrasse had learned of the cult, of a sensitive young man who had dreamed not only the figure and exact hieroglyphics of the swamp-found image and the Greenland devil tablet, but had come in his dreams

Call of Cthulhu

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Figure in the Carpet by Henry James:

the charming things they had been for me; the exasperation of my search put me out of conceit of them. Instead of being a pleasure the more they became a resource the less; for from the moment I was unable to follow up the author's hint I of course felt it a point of honour not to make use professionally of my knowledge of them. I HAD no knowledge - nobody had any. It was humiliating, but I could bear it - they only annoyed me now. At last they even bored me, and I accounted for my confusion - perversely, I allow - by the idea that Vereker had made a fool of me. The buried treasure was a bad joke, the general intention a monstrous pose.

The great point of it all is, however, that I told George Corvick