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Today's Stichomancy for Bob Fosse

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Professor by Charlotte Bronte:

immediately on my arrival.

"Meantime I know all about your affairs, and have just got information, by Brown's last letter, that you are said to be on the point of forming an advantageous match with a pursy, little Belgian schoolmistress--a Mdlle. Zenobie, or some such name. Won't I have a look at her when I come over! And this you may rely on: if she pleases my taste, or if I think it worth while in a pecuniary point of view, I'll pounce on your prize and bear her away triumphant in spite of your teeth. Yet I don't like dumpies either, and Brown says she is little and stout--the better fitted for a wiry, starved-looking chap like you.


The Professor
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ball at Sceaux by Honore de Balzac:

her imaginary ideal. She felt added satisfaction in believing him to be well born, her black eyes sparkled, and she danced with all the pleasure that comes of dancing in the presence of the being we love. The couple had never understood each other as well as at this moment; more than once they felt their finger tips thrill and tremble as they were married in the figures of the dance.

The early autumn had come to the handsome pair, in the midst of country festivities and pleasures; they had abandoned themselves softly to the tide of the sweetest sentiment in life, strengthening it by a thousand little incidents which any one can imagine; for love is in some respects always the same. They studied each other through it

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ozma of Oz by L. Frank Baum:

in days of old. He stood perfectly still, and where the light struck upon his form it glittered as if made of pure gold.

"Don't be frightened," called Billina, from her perch. "It isn't alive."

"I see it isn't," replied the girl, drawing a long breath.

"It is only made out of copper, like the old kettle in the barn-yard at home," continued the hen, turning her head first to one side and then to the other, so that both her little round eyes could examine the object.

"Once," said Dorothy, "I knew a man made out of tin, who was a woodman named Nick Chopper. But he was as alive as we are, 'cause he was born a real man, and got his tin body a little at a time--first a leg and


Ozma of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Heritage of the Desert by Zane Grey:

unbreeched that."No shells! Well, d--n me!" He surveyed the group of grim men, not one of whom had any reply.

Holderness again laughed harshly, and turning to the cabin, he fastened the door with a lasso.

It was a long time before Hare recovered from the starting revelation of the plot which had put Mescal into Holderness's power. Bad as Snap Naab had been he would have married her, and such a fate was infinitely preferable to the one that now menaced her. Hare changed his position and se tied himself to watch and wait out the night. Every hour Holderness and his men tarried at Silver Cup hastened their approaching doom. Hare's strange prescience of the fatality that overshadowed these


The Heritage of the Desert